The sun sets on a day of peace and labor, yet men, women, and children,
their disheveled hair full of dust and wisps of straw, their faces
and legs stained with earth, work on. Here they cut rice, here they
gather up the sheaves; and, as on wall-paper the same scene is repeated
indefinitely, so on every side we see great wooden vats with men who,
face to face, beat ears of corn against the sides; and already the
plow commences to turn the clay again. All about is the odor of grain,
the perfume of the harvest. At the end of the plain where the men are
working is a wide river; and there, in the middle of the fields, an
arch of triumph colored by the setting of the crimson sun completes
the peaceable picture. A man who passes near me holds in his hand a
flame-colored chicken, another carries at the ends of his bamboo a
big tin teapot, hanging in front of him,--and behind him a package
made of some green relishes, a bit of meat, a bundle of those slips
of silver paper that are burned for the dead, and a fish hung beneath
by a straw. His blue blouse, his violet trousers, gleam against the
lacquered gold of the stubble.
--Let no one mock my idle hands! The hurricane itself, and the weight
of the sea that it hurls, cannot shake the heavy stone; but wood will
float on the water, leaves yield to the air; I, still more trifling,
fix my feet nowhere upon the earth, and the departing light draws me
with it. By the dark roads of the villages, among pines and tombs, and
along the far-stretched fields, I am the setting sun. Neither the happy
plain nor the harmony of these mountains, nor the alluring color of the
verdure on the ruddy harvest, can satisfy the eye which demands light
itself. Below in that square moat, enclosed by the mountain with a rude
wall, the air and the water burn with a mysterious fire. I see a gold
so beautiful that all nature seems to me a dead mass; in comparison
with that light the clarity that she can diffuse is darkest night.
Desirable elixir, by what mystic route will I be led to participate in
thy avaricious waters?
This evening the sun leaves me near a great orange tree that the family
which it nourishes have begun to strip. A ladder is leaning against the
tree. I hear speech in the foliage. In the lingering neutral light of
the hour I see the golden fruit gleam through the somber leaves. Coming
nearer I see each twig etched clearly against the green of the evening.
I regard the little red oranges, I breathe their bitter, strong aroma.
Oh marvelous harvest, promised to One alone! Fruit shown to that
immortal part of us which triumphs!
Public-domain text, read in full here on John Shaqi.
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