The young man had no idea what he was doing. The thought of posing for a Gibbon never entered his mind. He was a tourist, even to the depths of his sub-consciousness, and it was well for him that he should be nothing else, for even the greatest of men cannot sit with dignity, "in the close of evening, among the ruins of the Capitol," unless they have something quite original to say about it. Tacitus could do it; so could Michael Angelo; and so, at a pinch, could Gibbon, though in figure hardly heroic; but, in sum, none of them could say very much more than the tourist, who went on repeating to himself the eternal question:--Why! Why!! Why!!!--as his neighbor, the blind beggar, might do, sitting next him, on the church steps. No one ever had answered the question to the satisfaction of any one else; yet every one who had either head or heart, felt that sooner or later he must make up his mind what answer to accept. Substitute the word America for the word Rome, and the question became personal. Perhaps Henry learned something in Rome, though he never knew it, and never sought it. Rome dwarfs teachers. The greatest men of the age scarcely bore the test of posing with Rome for a background. Perhaps Garibaldi--possibly even Cavour--could have sat "in the close of the evening, among the ruins of the Capitol," but one hardly saw Napoleon III there, or Palmerston or Tennyson or Longfellow. One morning, Adams happened to be chatting in the studio of Hamilton Wilde, when a middle-aged Englishman came in, evidently excited, and told of the shock he had just received, when riding near the Circus Maximus, at coming unexpectedly on the guillotine, where some criminal had been put to death an hour or two before. The sudden surprise had quite overcome him; and Adams, who seldom saw the point of a story till time had blunted it, listened sympathetically to learn what new form of grim horror had for the moment wiped out the memory of two thousand years of Roman bloodshed, or the consolation, derived from history and statistics, that most citizens of Rome seemed to be the better for guillotining. Only by slow degrees, he grappled the conviction that the victim of the shock was Robert Browning; and, on the background of the Circus Maximus, the Christian martyrs flaming as torches, and the morning's murderer on the block, Browning seemed rather in place, as a middle-aged gentlemanly English Pippa Passes; while afterwards, in the light of Belgravia dinner-tables, he never made part of his background except by effacement. Browning might have sat with Gibbon, among the ruins, and few Romans would have smiled.