Children -- Fiction; Fantasy fiction; Paranormal fiction
And the picture of that hard-faced old man crying accompanied Paul
Rivers to the upper decks, and remained insistently with him for a long
time. It portrayed with such neat emphasis precisely what was so
deplorably lacking in his own character. There, in concrete form, though
not precisely his own case, still near enough to be extremely
illuminating, he had seen a grown-up man finding abundant and natural
expression for his emotion. The man was not ashamed of his tears, and
would doubtless have let them splash on the deck before a hundred
passengers, whereas he, Paul Rivers, was, it seemed, constitutionally
unable to reveal himself, to tell his deep longings, to find expression
through any sensible medium for the ten thousand dreams that choked his
life to the brim. He was unable, perhaps ashamed, to splash on the deck.
It was not that the big, bronzed Englishman wanted to cry, or to wash
his soul in sentiment, but that the sight of this old man’s passion, and
its frank and easy utterance, touched with dramatic intensity the crying
need of his whole temperament. The need of the steerage passenger was
the need of a moment; his own was the need of an existence.
‘Lucky devil!’ he exclaimed, half laughing, half sighing, as he went to
his cabin for the field-glasses; ‘he knows how to get it out—and does
get it out! while I—with my impossible yearnings and my absurd
diffidence in speaking of them to others—I haven’t got a single
safety-valve of any sort or kind. I can’t get it out of me—all this
ocean in my heart and soul—not a drop, not even a blessed tear!’
He laughed again and, stooping to pick up the glasses, he caught a
glimpse of his sunburned, bearded face in the cabin mirror.
‘Even my appearance is against me,’ he went on with mournful humour; ‘I
look like a healthy lumberman more than anything else in God’s world!’
He bent forward and examined himself carefully in detail.
‘What has such a face as that to do with beauty, and the stars, and the
moon sinking over a summer sea, or those night-winds I know rising
faintly from their hiding-places in the dim forests and stealing on soft
tiptoe about the sleeping world until the dawn gives them leave to run
and sing? Yet _I_ know—though I can never tell it to another—what so
many do not know! Who could ever believe that _that_ man’—he pointed to
himself in the glass, laughing—‘wants above all else in life, above
wealth, fame, success, the knowledge of spiritual things, which is
Reality—which is God?’
A flash of light from nowhere ran over his face, making it for one
instant like the face of a boy, shining, wonderful, radiantly young.
Public-domain text, read in full here on John Shaqi.
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