men of old, and by the practice of the greatest States. But it was no small merit to be the first to perceive that such a revival was possible and desirable in his own time and country, and when his proposals are examined it will be found that in the spirit in which he conceived them they were far in advance alike of contemporary, and of much later, thought and practice. It is a well-known criticism of his contemporary, Montaigne, that teachers were apt to think too much of the matter that was to be taught, and too little of the nature of the learner. That this remark was just in relation to these times we can well believe when we consider how recently the traditional bearing of the schoolmaster has been associated rather with the harsh enforcement of uncongenial tasks under the threat of penalties than with the sympathetic encouragement of willing and interested labours. Ascham had protested against the short-sighted severity of teachers, but failed to see that its root lay in the fact that the studies presented were generally ill-adapted to the capacities and inclinations of the scholars. Mulcaster, on the other hand, recognised that the remedy must be sought in the discovery of a more reasonable method, towards which he had definite constructive proposals to offer. He may even be said to have anticipated by a couple of centuries the doctrine of Rousseau, afterwards utilised by Pestalozzi and Froebel, that the paramount aim of the teacher is not to communicate knowledge, but to stimulate and guide the natural activity of the child. It is to be noted that every one of the five subjects he proposed to teach in the elementary school is of the nature of an art, calling for independent action on the part of the learner, and giving pleasurable exercise to the senses and bodily organs as well as to the intelligence. It was more than a happy intuition that led him to give so honourable a place to drawing and music; it was a consistent application of his doctrine that the minds of young children must be fed through the channels of sense perception, and that faculty is to be developed by placing the outlets of energy in immediate contact with the powers of acquisition. Drawing was intended to give a direct and practical knowledge of space relations and of the forms of natural objects, by combining the activities of eye and hand, while at the same time it favoured the cultivation of artistic expression. Music, being based on varied arrangements of number in pitch and time, was counted on to supply the ground-work of arithmetic, while in accordance with the persuasion of the Greeks it was held to exercise a definite æsthetic and moral influence on character. That Mulcaster had not only thought out his theories on the matter, but had verified them by individual child-study, is clear from the terms of his recommendations. “We must seek for natural inclinations in the soul, which seem to crave the help of education and nurture, and