The fourth dynasty was peaceably succeeded by the fifth and the sixth. Culture and cultivation made yet further progress, and the art of the painter and sculptor reached its climax. Those whose knowledge of Egyptian art is derived from the museums of Europe have little idea of the perfection which it attained at this remote period. The hard and crystallised art of later ages differed essentially from that of the early dynasties. The wooden figure of the ’Sheikh el-Beled’—the sleek and well-to-do farmer, who gazes complacently on his fertile fields and well-stocked farm—is one of the noblest works of human genius. And yet it belongs to the age of the fifth or the sixth dynasty, like the pictures in low relief, resembling exquisite embroidery on stone, which cover the walls of the tombs of Ti and Ptah-hotep at Saqqârah. The first six dynasties constitute what Egyptologists call the Old Empire. They ended with a queen, Nit-aqer (the Greek Nitôkris), and Egypt passed under sudden eclipse. For several centuries it lies concealed from the eye of history. A few royal names alone are preserved; other records there are as yet none. What befell the country and its rulers we do not know. Whether it was foreign invasion or civil war, or the internal decay of the government, certain it is that disaster overshadowed for a while the valley of the Nile. It may be that the barbarian tribes, whose tombs Professor Petrie has lately discovered in the desert opposite Qoft, and whom he believes to have been of Libyan origin, were the cause. With the tenth dynasty light begins again to dawn. Mr. Griffith has shown that some at least of the tombs cut out of the cliffs behind Siût belonged to that era, and that Ka-meri-Ra, whose name appears in one of them, was a king of the tenth dynasty. The fragmentary inscription, which can still be traced on the walls of the tomb, seems to allude to the successful suppression of a civil war. The eleventh dynasty arose at Thebes, of which its founders were the hereditary chiefs. It introduces us to the so-called Middle Empire. But the Egypt of the Middle Empire was no longer the Egypt of the Old Empire. The age of the great pyramid-builders was past, and the tomb carved in the rock begins to take the place of the pyramid of the earlier age. Memphis has ceased to be the capital of the country; the centre of power has been transferred to Thebes and the south. The art which flourished at Memphis has been superseded by the art with which our museums have made us familiar. With the transfer of the government, moreover, from north to south, Egyptian religion has undergone a change. Ptah of Memphis and Ra of Heliopolis have had to yield to Amon, the god of Thebes. The god of the house of the new Pharaohs now takes his place at the head of the pantheon, and the older gods of the north fall more and more into the background.