The Electric Man: Being the One Act Version of the Three Act Farcical Comedy of the Same NameHannan, Charles
Science
The Electric Man: Being the One Act Version of the Three Act Farcical Comedy of the Same Name
Hannan, Charles
Comedy plays; Drama; Robots -- Drama
WALTER. Because he’s yowling! Stop! Stella must stay in case Mrs.
Everest comes. (_Calls._) Mrs. Anderson! I want a cab!
(_He and JACK rush out D. in F._)
STELLA. I’m so excited I think I’ll play the piano in the other room.
(_Exit R. to drawing-room and immediately plays and sings
“Caressante.”_)
(_AUTOMATON enters D. in F., in black frock-coat, but now hatless,
goes to cupboard, paws at the door, goes and knocks over chair, then
to table up L. and takes up a tumbler, brings it down mechanically to
front C., half raises it, then lets it fall on the floor and sits by
table R., facing audience and says:_)
AUTOMATON. Tick-tick-Yow.
(_MRS. ANDERSON enters D. in F. with a black frock-coat in tailor’s
parcel, places it on table R. top end, then sees AUTOMATON and comes
out C., to speak._)
MRS. ANDERSON. Oh, he’s there, are he? (_Using handkerchief as she
speaks._)
AUTOMATON. Yow.
MRS. ANDERSON. There’s a parcel from the tailoring folks with a message
hopering as it were in time.
AUTOMATON. Yow-Yow. (_She starts a little._)
MRS. ANDERSON. The pore young lady is a-sittering in there.
AUTOMATON. Tick-tick. Yow-yow! (_Same business._)
MRS. ANDERSON. Ain’t you in good ’ealth, Mr. Everest, sir?
AUTOMATON. Yow-chuck, Yow-yow.
(_Rises and makes mechanical exit to bedroom L._)
MRS. ANDERSON (_watching him_). Pore-young-man!
(_Enter STELLA R._)
Mr. Everest have come back, mum; gone in his bedroom, mum; been to the
pub.-house again, or I’m much mistook. Pore-young-man!
(_Exit D. in F._)
STELLA (_calls across_). Walter, here’s a parcel--Walter!
(_AUTOMATON enters door L., but does not come out, she sees him._)
Walter, why have you left Jack? Is anything wrong?
AUTOMATON. Yow! (_Turns and goes in again D.L._)
STELLA (_crossing to the door_). Walter! (_Door shuts._) How very
polite of you! Are you changing? (_Voice off says, “Yow.”_) Oh, very
well, if you won’t answer me. I’m in the drawing-room all alone!
(_Has crossed back to R., and goes in._)
AUTOMATON (_enters L._). Tick-chuck-yow. (_Goes up, hits door of
cupboard twice._) Chuck-yow-yow.
(_Goes to recess, knocks over a chair, hits clock, etc., and goes
into china cupboard in recess L. A loud noise of smashing of crockery
off. STELLA through this is playing and singing same air as before._)
(_WALTER comes in D. in F., as soon as ever he can, walking quite
quietly as contrast to the very quick exit of AUTOMATON. Brown
jacket._)
WALTER (_comes to table R., calling_). Stella! I want you. Stella!
STELLA (_stops singing a moment to call_). I’m not coming! (_Resumes
song off._)
WALTER (_takes up parcel_). My new coat at last. The moment I get
Davidson under lock and key I’m going to change into this and get away
to Brighton. (_Puts parcel down._)
(_STELLA enters R._)
Why wouldn’t you come a minute ago?
STELLA. Why did you shut that door in my face?
WALTER. When?
STELLA. After you went out.
Public-domain text, read in full here on John Shaqi.
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