The Emblems of Fidelity: A Comedy in Letters — John Shaqi
The Emblems of Fidelity: A Comedy in LettersAllen, James Lane
General
The Emblems of Fidelity: A Comedy in Letters
Allen, James Lane
Authors -- Fiction; Epistolary fiction; Manners and customs -- Fiction
There is, then, in your novel a remarkable description of a noonday
woodland scene somewhere on your enchanted Kentucky uplands--a cool,
moist forest spot. Into this scene you introduced some rare,
beautiful Kentucky ferns. I can _see_ the ferns! I can see the
sunlight striking through the waving treetops down upon them! Now,
as it happens, in the old garden under my windows, loving the shade
and moisture of its trees and its wall, I have a bank of ferns. They
are a marvelous company, in their way as good as Wordsworth's flock
of daffodils; for they have been collected out of England's best and
from other countries.
Here, then, is literally the root of this letter: Will you send me
the root-stocks of some of those Kentucky ferns to grow and wave on
my Warwickshire fern bank?
Do not suppose that my garden is on a small scale a public park or
exhibition, made as we have created Kensington Gardens. Everything
in it is, on the contrary, enriched with some personal association.
I began it when a young man in the following way:
At that period I was much under the influence of the Barbizon
painters, and I sometimes entertained myself in the forests where
masters of that school had worked by hunting up what I supposed were
the scenes of some of Corot's masterpieces.
Corot, if my eyes tell me the truth, painted trees as though he were
looking at enormous ferns. His ferns spring out of the soil and some
rise higher than others as trees; his trees descend through the air
and are lost lower down as ferns. One day I dug up some Corot ferns
for my good Warwickshire loam. Another winter Christine Nilsson was
singing at Covent Garden. I spent several evenings with her. When I
bade her good-bye, I asked her to send me some ferns from Norway in
memory of Balzac and _Seraphita_. Yet another winter, being still a
young man and he, alas! a much older one, I passed an evening in
Paris with Turgenieff. I would persist in talking about his novels
and I remember quoting these lines from one of them: "It was a
splendid clear morning; tiny mottled cloudlets hung like snipe in the
clear pale azure; a fine dew was sprinkled on the leaves and grass
and glistened like silver on the spiders' webs; the moist dark earth
seemed still to retain the rosy traces of the dawn; the songs of
larks showered down from all over the sky."
He sat looking at me in surprised, touched silence.
Public-domain text, read in full here on John Shaqi.
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