The Emblems of Fidelity: A Comedy in LettersAllen, James Lane
General
The Emblems of Fidelity: A Comedy in Letters
Allen, James Lane
Authors -- Fiction; Epistolary fiction; Manners and customs -- Fiction
When I receive visitors by reason of my books--and strangers do
sometimes make pilgrimages to me on account of my grove of "Black
Oaks"--if the day is pleasant, we have tea in the garden. While the
strangers drink tea, I begin to wave the well-known proboscis over
the company for any praise they may have brought along. Should this
seem adequate, I later reward them with a stroll. That is Hodge's
hour and opportunity. Unexpectedly, as it would appear, but
invariably, he steps out from some bush and takes his place behind me
as we move.
When we reach the fern bank, the visitors regularly begin to inquire:
"What is the name of this fern?" I turn helplessly to Hodge much as
a drum-major, if asked by a by-stander what the music was that the
band had just been playing, might wheel in dismay to the nearest
horn. Hodge steps forward: now comes the reward of all his toil.
"That is the _Polydactulum cruciato-cristatum_, sir." "And what is
this one?" "That is the _Polypodium elegantissimum_, mum." Then you
would understand what it sometimes means to attain scholarship
without Oxford or Cambridge; what upon occasion it is to be a Roman
orator and a garden ass.
You will be wondering why I am telling you this about Hodge. For the
very particular reason that Hodge will play a part, I know not what
part, in the pleasant business that has come up between us. He looms
as the danger between me and the American ferns after the ferns shall
have arrived here. It is a fact that very few foreign ferns have
ever done well in my garden, watch over them as closely as I may:
especially those planted in more recent years. Could you believe it
possible of human nature to refuse to water a fern, to deny a little
earth to the root of a fern? Actually to scrape the soil away from
it when there was nobody near to observe the deed, to jab at it with
a sharp trowel? I shall not press the matter further, for I
instinctively turn away from it. Perhaps each of us has within
himself some incomprehensible little terrible spot and I feel that
this is Hodge's spot. It is murder; Hodge is an assassin: he will
kill what he hates, if he dares. I have been so aroused to defend
his faithful character that I have devised two pleadings: first,
Hodge is the essence of British parliaments, the sum total of British
institutions; therefore he patriotically believes that things British
should be good enough for the British--of course, their own ferns.
At other times I am rather inclined to surmise that his malice and
murderous resentment are due to his inability to take on any more
Latin, least of all imported Latin. Hodge without doubt now defends
himself against any more Latin as a man with his back to the wall
fights for his life: the personal promontory will hold no more.
You have written me an irresistible letter, though frankly I made no
effort to resist it. Your praise of my books instantly endeared you
to me.
Public-domain text, read in full here on John Shaqi.
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