The room was not large; it was in good proportions, for it dated from a time when we were still civilized. It was strangely apparelled. There was a large, rather shabby desk, at which the Home Secretary was supposed to write and where he did at least leave accumulated a few old letters and kept them down with a paper-weight of Chinese crystal, carefully chiselled into the form of a little god who smiled. There were five deep chairs of the sort called lounge, upholstered in a leather almost black. There were as many more comfortable common chairs. There was a really good fireplace brought over from one of the old houses in Dublin, of marble with a Bacchic frieze. There was in front of that really good fireplace a rug made of the skin of a polar bear, singularly fierce in its open red mouth of ferocious grin, its gleaming teeth and staring eyes--the room was so deserted that no one had knocked that head to pieces with his feet. It seemed almost new, fresh from the Arctic. There were six windows looking to the west, south, and north, and coming down close to the floor with deep sills forming seats after the fashion of our fathers. For the room projected out into the park upon three sides and the western one faced a long grass path between an avenue of trees. There were one or two tables which did nothing, after the fashion of most tables--outside dining-rooms, and even there they do no work which I can recommend. There was above the mantelpiece one of those looking-glasses of the First French Empire, round, lens-like, and diminishing the picture of all the room. It had a round, broad, gilded rim and upon its summit an eagle of the sort that flew from the Pyramids to Cadiz, from Cadiz to Paris, from Paris to Moscow, and from Moscow back again. The floor was of the sort called, I believe, in the trade, antique Austrian parquet. That is, it consisted of some half dozen slabs of cheap pine firmly bolted together, on the top of it a veneer of herring-bone Baltic oak, chemically treated to simulate the age and dignity of Schönbrunn. The thing was designed for rapid laying down and lifting and fitted together simply upon joists with what are--again technically--called invisible screws, but at the corners of the room the contraption was held by certain clamps which wanted a hell of a lot of hammering down when it was fixed. On the surface of this dignified flooring lay, carelessly chucked about, a few Oriental rugs from Brighton and one charming little Chinese mat from London, damnably out of place and swearing with the rest of the room like a cat run up a tree from a dog. What else was there in the room? Ah, yes, there was a parrot cage, and if you are wise, unfortunate reader, you will pay particular attention to that parrot cage, for later on it has a speaking part.