It hung by a chain from the ceiling against the west window looking out
on the long avenue, and within it lived--not melancholy, for he was too
stupid, but in a mixture of stolid age, indifference, and
nothingness--the parrot Attaboy. Nor must I omit either the appearance
of the parrot Attaboy, but only later can I tell you how the parrot
Attaboy came by his name.
Of his lineage I know nothing, nor even of his age. He might well have
been one hundred. Certainly there was nothing young about his eyes or
gestures, and I have always heard that parrots, like family servants and
others whom the gods hate, live to a great age.
Aunt Amelia had made a pompous present of him three years before to her
beloved niece Marjorie after her beloved Marjorie had reached her
fifteenth birthday; she bestowed not only the parrot but the cage, and
simultaneously a kiss upon her niece's forehead. At first the recipient
of the fowl did not appreciate the gift. But love will grow. The
thing--by which I mean the cage and the parrot and all--was hung by a
hook--at Aunt Amelia's expense--to the roof of this room simply because
it was so little used.
It happened precisely at the opening of the flat racing season, three
years before the opening of the story which you now have the ecstatic
pleasure of reading, that young Lord Galton, Marjorie's cousin--recently
acceded to the title by the sudden and unexpected death of his father
from I know not what forms of excess--had pulled a horse.
He was one of our modern youths, loving the risks of life and living
dangerously. Therefore had he pulled a horse and the horse he had
pulled--his very own--he had named Attaboy.
It was never brought home to him, as the phrase goes; that is, everybody
knew that it was true. Attaboy was famous at Paulings--a sort of family
crime to be proud of--a word used as often as any other for the moment
at Paulings; and the poor old parrot--we have no initiative in
age--picked it up and refused to learn anything else.
In a way it was awkward. Tommy Galton would come to his uncle's house
from time to time, and when he came it was rather important to keep him
out of the West Room during daylight. For the parrot had a way of
croaking quite suddenly, in the strong colonial accent of his tribe,
"Attaboy!" at the most unexpected moments. However, the parrot Attaboy
possessed a cover of black felt carefully put over his cage at night,
and whenever it found itself in darkness it was habitually silent after
the honourable fashion of parrots--and, after all, the room was not
commonly used. There was little risk of Lord Galton's being in it save
after the black cover was over the detestable bird.
Of Attaboy the parrot--Attaboy the horse had already gone to
stud--Marjorie grew fond. For one thing, she was not unattracted by her
cousin Tom, and Attaboy made a sort of bond between them. For another,
she was at the age when women can be fond of anything, even Tommy
Galton, let alone a parrot.
Public-domain text, read in full here on John Shaqi.
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