Verina now had a notorious lover named Patricius, and was eager to set him on the throne instead of Zeno. Her daughter Ariadne, a commonplace, docile woman, clung to her husband, and the palace divided into two hostile parties and awaited the result. It is piquant to remember that Constantinople was at the time an intensely religious city. Its patriarch overshadowed those of Alexandria and Rome; its populace divided its interest almost equally between chariot-racing, vice and the suppression of heresy; and to its great church of St Sophia, or to the numerous chapels within the area of the palace, were conducted with splendour the important relics which were constantly being “found” in Palestine. But the frivolous citizens ignored the practical enjoinments of their religion until the periodical fire, or plague, or earthquake threw them into a spasm of repentance, and the population of the palace seemed to hold themselves entirely dispensed from such common laws. Verina, at least, knew neither weakness nor scruple in the pursuit of her ambition. In November 475 Zeno fled across the water to Chalcedon. Ships were kept for such emergencies at the foot of the gardens, so that an imperial family might be well on the way to the Asiatic shore before an enemy could break through the hedge of guards. Zeno, protesting that his life was threatened by Verina’s servants, fled precipitately, since he left Ariadne under the power of her mother. It seems that Verina virtually imprisoned her daughter, but Ariadne escaped and joined her husband. From the coast they travelled, in a common cart, to the wild fastnesses of Isauria, from which another turn of the wheel will presently recall them to the glittering palace. Zeno had been morose and unpopular, and it had not been difficult for Verina to detach the Senators and troops from him. They had, however, no mind to accept the virtual rule of Verina herself by putting her paramour on the throne, and, to her great mortification, they summoned her discredited brother Basiliscus from his exile in Thrace, and clothed him with the purple. The change brings on the scene a third Empress, Zenonis, who was made “Augusta” by her husband as soon as he was crowned.