The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
#B.# 'The Three Sisters.' Some Ancient Christmas Carols
... together with two Ancient Ballads, etc. By Davies
Gilbert, 2d ed., p. 65.
#C.# 'The Unco Knicht's Wowing,' Motherwell's MS., p. 647.
#D.# Motherwell's MS., p. 142.
The four copies of #A# differ but very slightly: #a#, #b#, #c# are
broadsides, and #d# is evidently of that derivation, #a# and #b# are of
the 17th century. There is another broadside in the Euing collection,
formerly Halliwell's, No 253. The version in The Borderer's Table Book,
VII, 83, was compounded by Dixon from others previously printed.
Riddles, as is well known, play an important part in popular story, and
that from very remote times. No one needs to be reminded of Samson,
Œdipus, Apollonius of Tyre. Riddle-tales, which, if not so old as the
oldest of these, may be carried in all likelihood some centuries beyond
our era, still live in Asiatic and European tradition, and have their
representatives in popular ballads. The largest class of these tales is
that in which one party has to guess another's riddles, or two rivals
compete in giving or guessing, under penalty in either instance of
forfeiting life or some other heavy wager; an example of which is the
English ballad, modern in form, of 'King John and the Abbot of
Canterbury.' In a second class, a suitor can win a lady's hand only by
guessing riddles, as in our 'Captain Wedderburn's Courtship' and 'Proud
Lady Margaret.' There is sometimes a penalty of loss of life for the
unsuccessful, but not in these ballads. Thirdly, there is the tale
(perhaps an offshoot of an early form of the first) of The Clever Lass,
who wins a husband, and sometimes a crown, by guessing riddles, solving
difficult but practicable problems, or matching and evading
impossibilities; and of this class versions #A# and #B# of the present
ballad and #A-H# of the following are specimens.
Ballads like our 1, #A#, #B#, 2, #A-H#, are very common in #German#. Of
the former variety are the following:
Public-domain text, read in full here on John Shaqi.
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