As to her personal habits I have gleaned that her manuscript was wonderfully beautiful and perfect, a delight to the printers, without blot or erasure, every letter carefully formed; that she read the Bible every day and that one of her favorite books was Thomas à Kempis on _The Imitation of Christ_; that she took no knowledge at secondhand; that she had a great grasp of business, that she worked slowly and with infinite pains, meditating long over her subject before beginning; that she was intensely sensitive to criticism; that she believed herself a poet in opposition to the almost unanimous verdict of criticism which had pronounced _The Spanish Gypsy_, _Agatha_ and _The Legend of Jubal_ as failing in the gift of song, though highly poetic; that the very best society in London--that is to say in the world--was to be found at her Sunday afternoon receptions at the Priory, Regent's Park, where she and Mr. Lewes lived so long; and that she rarely left her own home except when tempted by a fine painting or some unusually good performance of music. I have given here a list of complete works, with dates of publication, as far as I have been able to gather. I believe this is nearly complete. Translation of Strauss' _Leben Jesu_, 1846; contributions to Westminster Review, from about 1850, during several years; translation of Feuerbach's _Essence of Christianity_, 1854; _Scenes of Clerical Life_, Blackwood's Magazine, 1857,--book-form 1858; _Adam Bede_, 1859; _The Mill on the Floss_, 1860; _The Lifted Veil_, Blackwood's Magazine, 1860; _Silas Marner_, 1861; _Romola_, Cornhill Magazine, book-form, 1863; _Felix Holt_, 1866; _The Spanish Gypsy_, 1868: _Address to Workmen_, Blackwood's Magazine, 1868; _Agatha_, 1869; _How Lisa loved the king_, Blackwood's Magazine, 1869; _Middlemarch_, 1871; _The Legend of Jubal_, 1874; _Daniel Deronda_, 1876; The _Impressions of Theophrastus Such_, 1879; and said to have left a translation of _Spinoza's Ethics_, not yet published.