The English Novel in the Time of ShakespeareJusserand, J. J. (Jean Jules)
History
The English Novel in the Time of Shakespeare
Jusserand, J. J. (Jean Jules)
English fiction -- Early modern, 1500-1700 -- History and criticism
Some of these attempts however are worthy of attention, notably one in
which imitation of Scarron and Furetiere is to be found, entitled "The
Adventures of Covent Garden."[360] The scene is laid in London among the
cultivated upper middle class: life is so realistically represented,
that this work, now entirely unknown, is one of those that best aid us
to re-constitute that society in which Dryden, Wycherley and Otway
lived.
Peregrine, the hero of the tale, spends his evenings at the "Rose" or at
"Will's," Dryden's favourite coffee-house, or at the theatre, where the
"Indian Emperor," one of Dryden's heroic dramas, was being played. With
the Lady Selinda, in whose box he sits, he discusses the merits of the
play, the value of the French rules and the license of Shakespeare and
Ben Jonson. Many interesting remarks occur in these conversations which
seem put in writing after nature, and are very curious in the history of
literature. If they do not exactly recall the Moliere of the "Critique
de l'Ecole des Femmes," they will recall Furetiere, no insignificant
praise. It is, besides, a compliment difficult to apply to any other
English novelist of the period. Here is a specimen of literary criticism
if not deep, at least lively, such as was going on at the play, or in
the drawing-rooms at the time of the Restoration:
"You criticks, said Selinda, make a mighty sputter about exactness of
plot, unity of time, place and I know not what, which I can never find
do any play the least good (Peregrine smiled at her female ignorance).
But, she continued, I have one thing to offer in this dispute, which I
think sufficient to convince you. I suppose the chief design of plays is
to please the people,[361] and get the playhouse and poet a livelihood?
"You must pardon me, madam, replyed Peregrine, Instruction is the
business of plays.
"Sir, said the lady, make it the business of the audience first to be
pleased with instruction, and then I shall allow you it to be the chief
end of plays.
"But, suppose, madam, said he, that I grant what you lay down.
Public-domain text, read in full here on John Shaqi.
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