The epistle of Othea to Hector; or, The boke of knyghthodeChristine, de Pisan
Philosophy
The epistle of Othea to Hector; or, The boke of knyghthode
Christine, de Pisan
Fastolf, John, 1378?-1459; French poetry -- To 1500 -- Translations into English
all might have gone well, though possibly in that case Christine’s
latent powers would never have been called into activity. As a climax,
however, to her misfortunes Étienne du Castel was carried off by an
epidemic at Beauvais in 1389, and she thus found herself a widow at
twenty-five with three children besides others[11] to support out of
what little she could rescue from the claimants to her husband’s estate.
Curious details of the protracted lawsuits and other troubles by which
she was harassed during the next few years are given in several of her
works; but it is enough to say that her tenacity and force of character
carried her safely through until she made for herself a literary
position which for one of her sex was probably without precedent.
Excepting a few short pieces anterior perhaps to her husband’s death,
she appears to have begun writing poetry as a solace in her widowhood.
Such pathetic effusions as “Seulete suy et seulete vueil estre” and “Je
suis vesve, seulete et noir vestue,”[12] with others in a similar
strain, could hardly fail to excite sympathy, and she was thus
encouraged to utilize her pen for procuring more material support. At
the end of the 14th century all that an author struggling with poverty
had to depend upon was the patronage and munificence of the great, and
it may therefore have been mainly to suit the taste of those to whom she
looked for favour and assistance that she composed the lighter and more
amatory of the “Ballades,” “Lais” and “Virelais,” “Rondeaux” and “Jeux à
vendre,” which were the earliest, and not the least charming, of her
poems. Besides Charles VI. and his queen, the Dukes of Berry, Burgundy,
and Orleans, and other princes, nobles, and great ladies of the French
court, it is interesting to find among her warmest patrons the English
Earl of Salisbury,[13] who came on an embassy to Paris in December,
1398. The theory that it was for him that she made the collection of her
“Cent Ballades” rests on little, if any, foundation, but his friendly
regard for her is shown by his having taken her elder son Jean du
Castel, then thirteen, to England, in order to educate him with a boy of
his own of similar age. By her own account, as it appears,[14] this was
at the time of the marriage of Isabella, daughter of Charles VI., to
Richard II., which took place at Calais on 4th November, 1396, so that
she may have become acquainted with the earl during a previous visit to
Paris, or while he was in France with Richard, who crossed over for the
marriage as early as 27th September. If he had not met a tragic fate on
7th January, 1400, in an abortive attempt in favour of his deposed
sovereign, Christine herself might have followed her son. At the same
time Salisbury was not the only nor most influential admirer of her
talent on this side of the Channel. After his death the usurper Henry
IV. himself took charge of the boy and tried to induce her to settle in
Public-domain text, read in full here on John Shaqi.
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