Erotic literature -- History and criticism; Psychoanalysis and literature; Sex in literature
If we are somewhat more neurotic than the average person, or even
abnormal, we go to the writers who are neurotic and abnormal. Why did
Baudelaire love Poe so much? Because he saw in him another Baudelaire,
a dreamer out of accord with reality, a victim of drink and drugs, a
sufferer at the hands of women, an artist loving beauty and refusing
to be a reformer. Hence he translated Poe's works, swore to read him
daily, and imitated him. Baudelaire's unconscious recognised a brother
sufferer in Poe; he wanted to have the same ideal conditions Poe
imagined in his dreams; he suffered from the same neuroses that Poe
suffered. These two writers became the idols of the French decadent
writers, and Huysmans, Mallarmé and others loved them. The French
decadents found affinities with ancient authors, especially the Roman
poets of the Silver Age, Petronius and Apuleius. Oscar Wilde, Dowson
and Arthur Symons in our literature belong to the group who found
themselves in harmony with the French decadents.
Literary influences are due to definite reasons and follow regular
laws. Though sometimes authors appeal to us who are just the opposite
of ourselves, we, as a rule, love those writers who write of our own
unconscious wishes.
What is the secret of the universal appeal of Hamlet? Is it not because
many of us, like him, have been in conflict wherein we could not
act because there was an external obstacle? Dr. Ernest Jones found
a reason for Hamlet's inability to act in an unconscious feeling of
guilty love for his mother. He was jealous of his uncle, the murderer
of his father, and also the successful rival to Hamlet in his mother's
affections. This psychoanalytic interpretation made by Dr. Ernest
Jones adds a new element to the old theory of Hamlet's struggle with
fate. Hamlet has given rise to a series of characters in literature
characterised by inaction, by thinking and not doing. Russian
literature, with its Rudins and Oblomovs, has recognised in this
portrayal by Shakespeare a common Russian type. Hamlet, nevertheless,
had good reason for not being able to act, and finally did act, though
he made a bungle of it all.
Public-domain text, read in full here on John Shaqi.
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