The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum — John Shaqi
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and MausoleumCalvert, Albert Frederick
History
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum
Calvert, Albert Frederick
Escorial
In accordance with his father’s wishes, Philip III. began to build the
present burial-vaults soon after his accession to the throne. He did not
live to see the completion of the work, which was continued during the
reign of Philip IV. The construction was, however, delayed through the
attitude of the overseer of the works, who objected to the expenditure
of so large a sum of money from the national exchequer; but under the
monk Nicolas, the _Panteon_ was at length made ready, in 1654, for the
reception of the coffins of members of the royal families.
‘No monarchs of the earth,’ writes a chronicler, ‘have a mausoleum
comparable to this of the Escorial, which to the glory of Spain was
conceived by Charles V., undertaken by Philip II., carried on by Philip
III., and completed by Philip IV.’
The second devastating fire at the Escorial broke out in 1671, and was
supposed to have been caused by the fall of a rocket during a firework
exhibition, following upon a day of rejoicing. The English translator of
the works of Francisco de los Santos states that the fire ‘ruined and
destroyed’ the edifice, but this is an exaggeration, though the damage
was very great. It is said that the flames were not quenched for fifteen
days, and that the peal of bells was melted. The queen-regent, Anne of
Austria, restored the Escorial in 1676, and provided it with a new set
of bells.
Another disaster might have befallen the Monasterio in 1755, when Lisbon
was levelled by the great earthquake, but, fortunately, only a shock was
perceived by the inmates of the building.
Charles III. made a few additions to the Escorial, and his son proposed
the addition of a bull-ring; but the king, upon hearing of this
project, forbade the work, and the prince contented himself with
erecting a caseta or villa, which was named de Abajo.
It was at the Escorial that Charles IV. unearthed a plot concocted by
the queen, Godoy, and Prince Fernando, with the object of betraying
Spain to France. The prince was placed in confinement at the Monastery,
and his tutor and other members of the royal household were also
imprisoned. It is probable that Canon Escoiquiz, one of the Court, was
in treaty with Napoleon’s representatives. Fernando was tried and
pardoned, though his part in the conspiracy seemed to admit of no doubt.
In 1807 the French troops stormed the Monasterio, which was defended by
the priest Ruiz, who lost his life in the assault. The monks were
expelled by the French, but allowed to occupy an adjacent building.
Terrible pillage succeeded the capture of the Escorial, and much of its
treasure was looted and sent to France. After the Peace the brethren
returned to the Monastery, and the French restored some of the plundered
works of art.
There was a restoration of the building under Ferdinand VII., the
completion of the work being celebrated on the day of San Lorenzo. Upon
the death of the king many of the pictures were transferred from the
Escorial to Madrid.
Public-domain text, read in full here on John Shaqi.
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