The ethics of Hercules : $b A study of man's body as the sole determinant of ethical valuesGivler, Robert Chenault
Philosophy
The ethics of Hercules : $b A study of man's body as the sole determinant of ethical values
Givler, Robert Chenault
Ethics; Psychophysiology
Having thus dealt with the problem of how the neuro-muscular
mechanisms of the body generate and maintain the meanings of words,
let us now return to the original question of this chapter, namely,
What is the ultimate reason why we employ such pairs of antonyms as
“good” and “bad” in our judgments of praise or blame, our expressions
of desire or aversion, and in our estimations of merit or defect?
Our answer is that the felt opposition and contradiction of antonyms
is due to the conflict of motor tendencies, and in support of this
theory we cite a well-recognized physiological principle,—the law of
reciprocal innervation.
_The Physiological Explanation of the Opposition of Antonyms_
Every freely moving part of the body, such as the leg, the arm, and
the head, is equipped principally with two sets of muscles, called,
from their functions, the _flexors_ and the _extensors_. The flexors
are those muscles which for example, upon contracting, draw the
legs and the arms toward the body and fold them close to it, and
which lower the head upon the chest; while the extensors stretch out
the arms and legs, open wide the hands, and raise the head to an
erect posture. Other parts of the body are similarly equipped for
producing motions of an opposite character in the skeletal system.[4]
The eyeballs are lowered by the use of a different muscle than that
by which they are elevated; the muscle which depresses the wings of
the nose is a direct antagonist of the other muscles which control
the movements of this organ, and so on throughout the whole of our
movable bodily structures. Moreover, when one such pair of muscles is
contracted, the opposed member is normally relaxed, and vice versa;
or, as the physiologist would say, the two muscles are reciprocally
innervated.[5]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account