Now it is not at all easy to regard the New Testament as a New Testament. It is not at all easy to realise the good news as new. Both for good and evil familiarity fills us with assumptions and associations; and no man of our civilisation, whatever he thinks of our religion, can really read the thing as if he had never heard of it before. Of course it is in any case utterly unhistorical to talk as if the New Testament were a neatly bound book that had fallen from heaven. It is simply the selection made by the authority of the Church from a mass of early Christian literature. But apart from any such question, there is a psychological difficulty in feeling the New Testament as new. There is a psychological difficulty in seeing those well-known words simply as they stand and without going beyond what they intrinsically stand for. And this difficulty must indeed be very great; for the result of it is very curious. The result of it is that most modern critics and most current criticism, even popular criticism, makes a comment that is the exact reverse of the truth. It is so completely the reverse of the truth that one could almost suspect that they had never read the New Testament at all. We have all heard people say a hundred times over, for they seem never to tire of saying it, that the Jesus of the New Testament is indeed a most merciful and humane lover of humanity, but that the Church has hidden this human character in repellent dogmas and stiffened it with ecclesiastical terrors till it has taken on an inhuman character. This is, I venture to repeat, very nearly the reverse of the truth. The truth is that it is the image of Christ in the churches that is almost entirely mild and merciful. It is the image of Christ in the Gospels that is a good many other things as well. The figure in the Gospels does indeed utter in words of almost heart-breaking beauty his pity for our broken hearts. But they are very far from being the only sort of words that he utters. Nevertheless they are almost the only kind of words that the Church in its popular imagery ever represents him as uttering. That popular imagery is inspired by a perfectly sound popular instinct. The mass of the poor are broken, and the mass of the people are poor, and for the mass of mankind the main thing is to carry the conviction of the incredible compassion of God. But nobody with his eyes open can doubt that it is chiefly this idea of compassion that the popular machinery of the Church does seek to carry. The popular imagery carries a great deal to excess the sentiment of ‘Gentle Jesus, meek and mild.’ It is the first thing that the outsider feels and criticises in a Pietà or a shrine of the Sacred Heart. As I say, while the art may be insufficient, I am not sure that the instinct is unsound. In any case there is something appalling, something that makes the blood run cold, in the idea of having a statue of Christ in wrath. There is something