The Everlasting ManChesterton, G. K. (Gilbert Keith)
Religion
The Everlasting Man
Chesterton, G. K. (Gilbert Keith)
Catholic Church -- Apologetic works; Christianity and other religions; Religion
But if it is not a mythology neither is it a philosophy. It is not a
philosophy because, being a vision, it is not a pattern but a picture.
It is not one of those simplifications which resolve everything into an
abstract explanation; as that everything is recurrent; or everything is
relative; or everything is inevitable; or everything is illusive. It is
not a process but a story. It has proportions, of the sort seen in a
picture or a story; it has not the regular repetitions of a pattern or a
process; but it replaces them by being convincing as a picture or a
story is convincing. In other words, it is exactly, as the phrase goes,
like life. For indeed it is life. An example of what is meant here might
well be found in the treatment of the problem of evil. It is easy
enough to make a plan of life of which the background is black, as the
pessimists do; and then admit a speck or two of star-dust more or less
accidental, or at least in the literal sense insignificant. And it is
easy enough to make another plan on white paper, as the Christian
Scientists do, and explain or explain away somehow such dots or smudges
as may be difficult to deny. Lastly it is easiest of all, perhaps, to
say as the dualists do, that life is like a chess-board in which the two
are equal; and can as truly be said to consist of white squares on a
black board or of black squares on a white board. But every man feels in
his heart that none of these three paper plans is like life; that none
of these worlds is one in which he can live. Something tells him that
the ultimate idea of a world is not bad or even neutral; staring at the
sky or the grass or the truths of mathematics or even a new-laid egg, he
has a vague feeling like the shadow of that saying of the great
Christian philosopher, St. Thomas Aquinas, ‘Every existence, as such, is
good.’ On the other hand, something else tells him that it is unmanly
and debased and even diseased to minimise evil to a dot or even a blot.
He realises that optimism is morbid. It is if possible even more morbid
than pessimism. These vague but healthy feelings, if he followed them
out, would result in the idea that evil is in some way an exception but
an enormous exception; and ultimately that evil is an invasion or yet
more truly a rebellion. He does not think that everything is right or
that everything is wrong, or that everything is equally right and wrong.
But he does think that right has a right to be right and therefore a
right to be there; and wrong has no right to be wrong and therefore no
right to be there. It is the prince of the world; but it is also a
usurper. So he will apprehend vaguely what the vision will give to him
vividly; no less than all that strange story of treason in heaven and
the great desertion by which evil damaged and tried to destroy a cosmos
that it could not create. It is a very strange story and its proportions
and its lines and colours are as arbitrary and absolute as the artistic
composition of a picture.
Public-domain text, read in full here on John Shaqi.
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