The tale of the end of Troy shall have no ending; for it is lifted up for ever into living echoes, immortal as our hopelessness and our hope. Troy standing was a small thing that may have stood nameless for ages. But Troy falling has been caught up in a flame and suspended in an immortal instant of annihilation; and because it was destroyed with fire the fire shall never be destroyed. And as with the city so with the hero; traced in archaic lines in that primeval twilight is found the first figure of the Knight. There is a prophetic coincidence in his title; we have spoken of the word chivalry and how it seems to mingle the horseman with the horse. It is almost anticipated ages before in the thunder of the Homeric hexameter, and that long leaping word with which the Iliad ends. It is that very unity for which we can find no name but the holy centaur of chivalry. But there are other reasons for giving in this glimpse of antiquity the flame upon the sacred town. The sanctity of such towns ran like a fire round the coasts and islands of the northern Mediterranean; the high-fenced hamlet for which heroes died. From the smallness of the city came the greatness of the citizen. Hellas with her hundred statues produced nothing statelier than that walking statue; the ideal of the self-commanding man. Hellas of the hundred statues was one legend and literature; and all that labyrinth of little walled nations resounded with the lament of Troy. A later legend, an afterthought but not an accident, said that stragglers from Troy founded a republic on the Italian shore. It was true in spirit that republican virtue had such a root. A mystery of honour, that was not born of Babylon or the Egyptian pride, there shone like the shield of Hector, defying Asia and Africa; till the light of a new day was loosened, with the rushing of the eagles and the coming of the name; the name that came like a thunderclap, when the world woke to Rome. CHAPTER IV GOD AND COMPARATIVE RELIGION I was once escorted over the Roman foundations of an ancient British city by a professor, who said something that seems to me a satire on a good many other professors. Possibly the professor saw the joke, though he maintained an iron gravity, and may or may not have realised that it was a joke against a great deal of what is called comparative religion. I pointed out a sculpture of the head of the sun with the usual halo of rays, but with the difference that the face in the disc, instead of being boyish like Apollo, was bearded like Neptune or Jupiter. ‘Yes,’ he said with a certain delicate exactitude, ‘that is supposed to represent the local god Sul. The best authorities identify Sul with Minerva; but this has been held to show that the identification is not complete.’