The Every-day Book and Table Book, v. 1 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book, v. 1 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
“Not many sounds in life, and I include all urban and all rural sounds,
exceed in interest a _knock at the door_. It ‘gives a very echo to the
throne where Hope is seated.’ But its issues seldom answer to this
oracle within. It is so seldom that just the person we want to see
comes. But of all the clamorous visitations, the welcomest in
expectation is the sound that ushers in, or seems to usher in, a
Valentine. As the raven himself was hoarse that announced the fatal
entrance of Duncan, so the knock of the postman on this day is light,
airy, confident, and befitting one that ‘bringeth good tidings.’ It is
less mechanical than on other days; you will say, ‘That is not the post,
I am sure.’ Visions of Love, of Cupids, of Hymens, and all those
delightful, eternal common-places, which ‘having been, will always be;’
which no schoolboy nor schoolman can write away; having their
irreversible throne in the fancy and affections; what are your
transports, when the happy maiden, opening with careful finger, careful
not to break the emblematic seal, bursts upon the sight of some
well-designed allegory, some type, some youthful fancy, not without
verses--
Lovers all,
A madrigal,
or some such device, not over abundant in sense--young Love disclaims
it,--and not quite silly--something between wind and water, a chorus
where the sheep might almost join the shepherd, as they did, or as I
apprehend they did, in Arcadia.
“All Valentines are not foolish, and I shall not easily forget thine, my
kind friend (if I may have leave to call you so) E. B.--E. B. lived
opposite a young maiden, whom he had often seen, unseen, from his
parlour window in C----e-street. She was all joyousness and innocence,
and just of an age to enjoy receiving a Valentine, and just of a temper
to bear the disappointment of missing one with good humour. E. B. is an
artist of no common powers; in the fancy parts of designing, perhaps
inferior to none; his name is known at the bottom of many a
well-executed vignette in the way of his profession, but no further; for
E. B. is modest, and the world meets nobody half-way. E. B. meditated
how he could repay this young maiden for many a favour which she had
done him unknown; for, when a kindly face greets us, though but passing
by, and never knows us again, nor we it, we should feel it as an
obligation; and E. B. did. This good artist set himself at work to
please the damsel. It was just before Valentine’s day three years since.
He wrought unseen, and unsuspected, a wondrous work. We need not say it
was on the finest gilt paper with borders--full, not of common hearts
and heartless allegory, but all the prettiest stories of love from Ovid,
and older poets than Ovid (for E. B. is a scholar.) There was Pyramus
and Thisbe, and be sure Dido was not forgot, nor Hero and Leander, and
swans more than sang in Cayster, with mottoes and fanciful devices, such
as beseemed,--a work in short of magic. Iris dipt the woof. This on
Public-domain text, read in full here on John Shaqi.
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