The Evil Eye, Thanatology, and Other EssaysPark, Roswell
Religion
The Evil Eye, Thanatology, and Other Essays
Park, Roswell
Bruno, Giordano, 1548-1600; Evil eye; Knights of Malta; Medicine; Mythology; Religion; Students
Again, in Rome it is very common to see a small cow's horn on the
framework of the Roman wine carts or dangling beneath the axle.
Much more common and better known among the Anglo-Saxon peoples is
the horse-shoe emblem, which with us has lost all of its original
signification, as an emblem of fecundity, and has become a charm
against evil. It is hung up over doorways, is nailed up in houses, it
guards stable doors and protects fields against malign influences. Even
in the Paris Exhibition of 1889, where there was a representation of a
street from old Cairo, there hung over several of the doors a crocodile
with a horse-shoe on his snout.
So far I have said very little about the positions of the hand and
certain gestures by which it is intended to ward off the evil eye.
The Mohammedans, like the Neapolitans, are profound believers in the
efficacy of manual signs; thus outside of many a door in Tangier I have
seen the imprint of a hand made by placing the outstretched hand upon
some sticky black or colored material, which was then transferred as
by a type or die to the doorway of the dwelling, where in the likeness
of the outstretched manus it serves to guard the dwellers within. This
is to me one of the most curious things to be observed in Mohammedan
countries. A relic of the same belief I have seen also over the great
gate of the Alhambra, in the Tower of Justice, where, in spite of the
very strict Moslem custom and belief against representation of any
living object, over the keystone of the outer Moorish arch is carved
an outstretched upright hand, a powerful protection against evil. It
is this position of the hand, by the way, which has been observed in
all countries in the administration of the judicial oath. Moreover, the
hand in this position is the modern heraldic sign of baronetcy.
Public-domain text, read in full here on John Shaqi.
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