The Exeter Road: the story of the west of England highwayHarper, Charles G. (Charles George)
History
The Exeter Road: the story of the west of England highway
Harper, Charles G. (Charles George)
England -- Description and travel; England -- Social life and customs; Exeter Road
‘How we hate the Putney and Brentford stages that draw up in a line in
Piccadilly, after the mails are gone,’ says Hazlitt, writing of the
romance of the Mail Coach. Well, it may be that their five or ten mile
journeys afforded no hold for the imagination, compared with the dashing
‘Quicksilver’ and the lightning ‘Telegraph’ to Exeter; but what on
earth the Londoner of modest means who desired to travel to Putney or to
Brentford would in those pre-omnibus times have done without those
stages it is impossible to conceive. We, in these days, might just as
well find romance in the majesty of the beautiful Great Western Express
locomotives that speed between Paddington and Penzance, and then turn to
the omnibuses that run to Hammersmith, and say, ‘How we hate the
’buses!’
All these suburban stages started from public-houses. There were quite a
number which went to Brentford and on to Hounslow, and they set out from
such forgotten houses as the ‘New Inn,’ Old Bailey; the ‘Goose and
Gridiron,’ St. Paul’s Churchyard; the ‘Old Bell,’ Holborn; the
‘Gloucester Coffee House,’ Piccadilly; the ‘White Hart,’ ‘Red Lion,’ and
‘Spotted Dog,’ Strand; and the ‘Bolt-in-Tun,’ Fleet Street. It is to be
feared that those stages were not ‘Swiftsures,’ ‘Hirondelles,’ or
‘Lightnings.’ Nor, indeed, were ‘popular prices’ known in those days.
Concessions had been made in this direction, it is true, some seven
years before, when the man with the extraordinary name--Mr.
Shillibeer--introduced the first omnibus, which ran between the
‘Yorkshire Stingo,’ in the New Road, Marylebone, and the City; and the
very name ‘omnibus’ was originally intended as a kind of finger-post to
point out the intended popularity of the new conveyance, but as the fare
to the City was one shilling, it may readily be supposed that Bill
Mortarmixer, Tom Tenon, and the whole of
[Sidenote: _THE ‘GOOSE AND GRIDIRON’_]
[Illustration: THE WEST COUNTRY MAILS STARTING FROM THE GLOUCESTER
COFFEE HOUSE, PICCADILLY (AFTER JAMES POLLARD).]
their artisan brethren, who did not in those times aspire to
one-and-twopence per hour, preferred to walk. For the same reason, they
were only the comparatively affluent who could afford the eighteenpenny
fare, or the two-hours journey, to Brentford by the ‘stage.’
Let us suppose ourselves to be of that fortunate company, and, paying
our one-and-sixpence, set out from the ‘Goose and Gridiron.’
That old-fashioned hostelry, which stood modestly back from the roadway
on the north side of St. Paul’s Churchyard, was, unhappily, demolished
in 1894, after a good deal more than two centuries’ record for good
cheer. It was originally the ‘Swan and Harp,’ but some irreverent wag,
probably as far back as the building of the house in Wren’s time, found
the other name for it, and the effigies of the goose and the gridiron
remained even to our own time.
Public-domain text, read in full here on John Shaqi.
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