The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical EntertainmentsBaker, George M. (George Melville)
History
The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments
Baker, George M. (George Melville)
Amateur plays; Drama
_Rowell._ Gaylie, you must listen to me. You evade a question of
the utmost importance to my welfare. I asked you, Do you love me?
_Gaylie._ As you have asked me a dozen times in the last fortnight;
and I answer you as I have before, Wait until the war is over.
_Rowell._ Ah, but the war is over: there is no reason for delay.
Gaylie, will you be my wife?
_Gaylie._ That's a serious question, colonel. I'll consider it.
_Rowell._ Gaylie, you'll drive me mad.
_Gaylie._ Then I won't consider it: will that suit you? O colonel!
do you suppose there have been any changes in the regiment?
_Rowell._ Will you answer my question, Gaylie?
_Gaylie._ Will you answer mine, colonel?
_Rowell_ (_biting his lips_). I don't know; I don't care. Boxer,
who took my place, has been made a brigadier-general; but, for the
rest, I know nothing.
_Gaylie._ I wonder if Rob Trueworth is still a private. Perhaps
he's a captain, or a sergeant. I do hope he has risen.
_Rowell._ You still have an interest in that fellow?
_Gaylie._ Of course. Isn't he my brother?
_Rowell_ (_aside_). That's good. She ignores the other tie.
(_Aloud._) Now, Gaylie, speak. (_Takes her hand._) Surely my devotion
deserves a recompense. Will you? (_Enter_ CRIMP, L., _with a lighted
candle in each hand_.)
_Crimp_ (_speaking as he enters_). Hi! Miss Gaylie, de hole
_circumbendence_ ob de exterior ob de house up stairs am in a blaze ob
glory; lights into all de windows, an' greeze all ober de glass and de
carpets. Took sum pains up dar, I tole you. Shall I light dese yer
windows, Miss Gaylie?
_Gaylie._ No, Crimp, I will attend to this.
_Crimp._ Yaas, indeed! I'm obleeged to you. Jes' put your bright
eyes into de windows, and de illumination up stairs won't be no
circumstance. I'll jes' stick 'em into de bay window, out yunder.
[_Exit_ R.
_Rowell_ (_runs to_ GAYLIE, _and puts his arm about her waist;
takes her hand_). Gaylie, am I never to get an answer? Speak before we
are again interrupted. (MRS. TRUEWORTH _appears_, L.)
_Rowell_ (_goes_ L.). Confusion! Will this never end?
_Gaylie._ Come in, mother.
_Mrs. T._ No: when two young people are so closely interested in
conversation, an old woman's presence is unpleasant. I'm not blind,
Gaylie Gifford; and I'm not likely to hold my tongue, when I see
injustice done one I love; so I'll go away. O Gaylie! Gaylie! have I
been deceived in you? (_Going._)
_Gaylie_ (_running to her_). No, mother, no! Believe me, trust me.
_Mrs. T._ I try to, Gaylie; but it is so hard, so hard!
[_Exit_ L.
_Gaylie_ (_comes down_ R. _at table_). Have I wounded her dear
heart? Am I doing right?
_Rowell_ (_approaching_). Gaylie—
Public-domain text, read in full here on John Shaqi.
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