"Slavery holds among them; and, as among the Malays, a debtor is
reduced to this state until his debt be discharged. Children are
likewise bought, and must be considered as slaves.
"In the evening I requested Sejugah to collect his tribe, and to show
me their dances and musical instruments. They readily consented,
and about nine at night we went to witness the exhibition. The
musical instruments were, the tomtom, or drum, and the Malayan gong;
which were beat either slow or fast, according to the measure of
the dance. The dances are highly interesting, more especially from
their close resemblance, if not identity, with those of the South Sea
Islanders. Two swords were placed on the mat, and two men commenced
slowly, from the opposite extremities, turning the body, extending
the arms, and lifting the legs, in grotesque but not ungraceful
attitudes. Approaching thus leisurely round and round about, they at
length seize the swords, the music plays a brisker measure, and the
dancers pass and repass each other, now cutting, now crossing swords,
retiring and advancing, one kneeling as though to defend himself from
the assaults of his adversary; at times stealthily waiting for an
advantage, and quickly availing himself of it. The measure throughout
was admirably kept, and the frequent turns were simultaneously made
by both dancers, accompanied by the same eccentric gestures. The
effect of all this far surpasses the impression to be made by a
meager description. The room partially lighted by damar torches;
the clang of the noisy instruments; the crowd of wild spectators;
their screams of encouragement to the performers; the flowing hair and
rapid evolutions of the dancers, formed a scene I wish could have been
reduced to painting by such a master as Rembrandt or Caravaggio. The
next dance was performed by a single person, with a spear, turning
like the last; now advancing, retiring, poising, brandishing, or
pretending to hurl his weapon. Subsequently we had an exhibition with
the sword and shield, very similar to the others, and only differing
in the use of the weapons; and the performance was closed by a long
and animated dance like the first, by two of the best performers.
"The dance with the spear is called Talambong; that with the sword,
Mancha. The resemblance of these dances to those of the South Seas is,
as I have observed, a remarkable and interesting fact, and one of many
others which may, in course of time, elucidate the probable theory that
the two people are sprung from a common source. The Malays of Sarawak,
and other places in the neighborhood of the Dyak tribes, dance these
dances; but they are unknown to Borneo Proper, and the other Malay
islands; and although the names may be given by the Malays, I think
there is no doubt that the dances themselves belong to the Dyaks:
a correcter judgment can be formed by a better acquaintance with
other Dyak tribes.
Public-domain text, read in full here on John Shaqi.
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