The extraordinary confessions of Diana Please — John Shaqi
The extraordinary confessions of Diana PleaseCapes, Bernard
General
The extraordinary confessions of Diana Please
Capes, Bernard
Femmes fatales -- Fiction; France -- Fiction; Historical fiction; Naples (Kingdom) -- Fiction; Women -- Fiction
I look first to your gallantry, my dear Alcide, to see that this
statement is not misconstrued. That I have a past argues nothing of my
remoteness from it. In comparison with the immortality which is surely
to be mine, everything on this side is youth. I am seventeen, or
thirty-seven, or whatever I choose; and I intend that Heaven, whenever
it calls me, shall find me irresistible. Possessing all the ages, it
cannot grudge me my arbitrary disposition of my own little term.
Now, tell your friends, my dear Alcide, that to succeed in life one
must never ask a woman her age or a man his intentions; and so we
shall all be comfortable.
I owe my mother the most whimsical of grudges, my existence. I will
nickname her the Comtesse de l’Ombre, and so shall abuse no
confidences in relating of my debt to her, and to “Lovelace,” her
collaborator in the romance of which I am the heroine. She was very
beautiful; and he, an English cadet of distinction, was an
aristocratic paragon.
At the age of sixteen, convinced of the hollowness of life, she had
taken the veil, and become the Sister Agnès of the Communauté de
Madelonnettes, Notre Dame de la Charité, in Paris, whence a year
later she was transferred to an English branch of the house. Hence and
from her duty my father, whom she had approached upon a begging
mission, succeeded unhappily in inveigling her.
To the day of her death my mother bore the disfiguring sign of a
little cross on her breast. It has succeeded to me, but in a faint
reflection, a _grain de beauté_, only. I will tell you, in a word,
the story of my inheritance.
The ladies of les Madelonnettes had, in inviting all the feminine
vices to their inauguration ceremony, with the object to pension them
off handsomely, overlooked the bad fairy Jealousy. Thou knowest,
Alcide, the meanness of this witch. To revenge herself, she cast
Lovelace into their midst, as Eris cast the apple of discord upon the
nuptial board of Thetis; and poor de l’Ombre was made the consequent
scapegoat. Driven forth in ignominy from the fold, she could not
suffer so much but that one, over zealous or jealous, must strike her
an envious blow across the bosom, on which she always wore a little
crucifix, the gift of her father. The ebony cut in and left an
indelible scar, to which I was to succeed in pathetic earnest of my
origin. It has never ceased to be a symbol to me of the vanity of
self-renunciation. How can we deny our_selves_, and not deny One after
whose image we are made?
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