As the young man passed and repassed them, where they stood under the big pepper tree that shades the depot, the man--in his harsh, throaty whisper, between spasms of coughing--was cursing the train service, the country, the weather; and, apparently, whatever else he could think of as being worthy or unworthy his impotent ill-temper. The shadowy suggestion of womanhood--glancing toward the young man--was saying, with affected giggles, "O papa, don't! Oh isn't it perfectly lovely! O papa, don't! Do hush! What will people think?" This last variation of his daughter's plaint must have given the man some satisfaction, at least, for it furnished him another target for his pointless shafts; and he fairly outdid himself in politely damning whoever might presume to think anything at all of him; with the net result that two Mexicans, who were loafing near enough to hear, grinned with admiring amusement. The woman stood a little apart from the others. Coldly indifferent alike to the man's cursing and coughing and to the daughter's ejaculations, she appeared to be looking at the mountains. But the young man fancied that, once or twice, as he faced about at the end of his beat, her eyes were turned in his direction. When the Fairlands train came in, the three found seats conveniently turned, near the forward end of the car. The young man, in passing, glanced down; and the woman, who had taken the chair next to the aisle, looked up full into his face. Again, as their eyes met, the man felt--as when they had stood so close together on the platform of the observation car--that she did not shrink from him. It was only for an instant. Then, glancing about for a seat, he saw another face--a face, in its outlines, so like the one into which he had just looked, and yet so different--so far removed in its expression and meaning--that it fixed his attention instantly--compelling his interest. As this woman sat looking from the car window away toward the distant mountain peaks, the young man thought he had never seen a more perfect profile; nor a countenance that expressed such a beautiful blending of wistful longing, of patient fortitude, and saintly resignation. It was the face of a Madonna,--but a Madonna after the crucifixion,--pathetic in its lonely sorrow, inspiring in its spiritual strength, and holy in its purity and freedom from earthly passions. She was near his mother's age; and looking at her--as he moved down the aisle--his mother's face, as he had known it before their last meeting, came to him with startling vividness. For an instant, he paused, moved to take the chair beside her; but the next two seats were vacant, and he had no excuse for intruding. Arranging his grips, he quickly seated himself next to the window; and again, with eager interest, turned toward the woman in the chair ahead. Involuntarily, he started with astonishment and pity.