The woman--still gazing from the window at the distant mountain peaks, and
seemingly unconscious of her surroundings--presented now, to the man's
shocked and compassionate gaze, the other side of her face. It was
hideously disfigured by a great scar that--covering the entire cheek and
neck--distorted the corner of the mouth, drew down the lower lid of the
eye, and twisted her features into an ugly caricature. Even the ear, half
hidden under the soft, gray-threaded hair, had not escaped, but was
deformed by the same dreadful agent that had wrought such ruin to one of
the loveliest countenances the man had ever looked upon.
When the train stopped at Fairlands, and the passengers crowded into the
aisle to make their way out, of the characters belonging to my story, the
woman with the man and his daughter went first. Following them, a half
car-length of people between, went the woman with the disfigured face.
On the depot platform, as they moved toward the street, the young man
still held his place near the woman who had so awakened his pitying
interest. The three Overland passengers were met by a heavy-faced
thick-necked man who escorted them to a luxurious touring car.
The invalid and his daughter had entered the automobile when their escort,
in turning toward the other member of the party, saw the woman with the
disfigured face--who was now quite near. Instantly, he paused. And there
was a smile of recognition on his somewhat coarse features as, lifting his
hat, he bowed with--the young man fancied--condescending politeness. The
woman standing by his side with her hand upon the door of the automobile,
seeing her companion saluting some one, turned--and the next moment, the
two women, whose features seemed so like--yet so unlike--were face to
face.
The young man saw the woman with the disfigured face stop short. For an
instant, she stood as though dazed by an unexpected blow. Then, holding
out her hands with a half-pleading, half-groping gesture, she staggered
and would have fallen had he not stepped to her side.
"Permit me, madam; you are ill."
She neither spoke nor moved; but, with her eyes fixed upon the woman by
the automobile, allowed him to support her--seemingly unconscious of his
presence. And never before had the young man seen such anguish of spirit
written in a human countenance.
The one who had saluted her, advanced--as though to offer his services.
But, as he moved toward her, she shrank back with a low--"No, no!" And
such a look of horror and fear came into her eyes that the man by her side
felt his muscles tense with indignation.
Looking straight into the heavy face of the stranger, he said curtly, "I
think you had better go on."
With a careless shrug, the other turned and went back to the automobile,
where he spoke in a low tone to his companions.
Public-domain text, read in full here on John Shaqi.
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