The Fable of the Bees; Or, Private Vices, Public BenefitsMandeville, Bernard
Philosophy
The Fable of the Bees; Or, Private Vices, Public Benefits
Mandeville, Bernard
Charity-schools -- Early works to 1800; Ethics -- Early works to 1800; Virtue -- Early works to 1800
Cleo. At first setting out a scholar is to copy things exactly as
he sees them; but from a great matter, when he is left to his own
invention, it is expected he should take the perfections of nature,
and not paint it as it is, but as we would wish it to be. Zeuxis,
to draw a goddess, took five beautiful women, from which he culled
what was most graceful in each.
Ful. Still every grace he painted was taken from nature.
Cleo. That's true; but he left nature her rubbish, and imitated
nothing but what was excellent, which made the assemblage superior
to any thing in nature. Demetrius was taxed for being too natural;
Dionysus was also blamed for drawing men like us. Nearer our times,
Michael Angelo was esteemed too natural, and Lysippus of old upbraided
the common sort of sculptors for making men such as they were found
in nature.
Ful. Are these things real?
Cleo. You may read it yourself in Graham's Preface to The Art of
Painting: the book is above in the library.
Hor. These things may seem strange to you, Madam, but they are of
immense use to the public: the higher we can carry the excellency of
our species, the more those beautiful images will fill noble minds
with worthy and suitable ideas of their own dignity, that will seldom
fail of spurring them on to virtue and heroic actions. There is a
grandeur to be expressed in things that far surpasses the beauties of
simple nature. You take delight in operas, Madam, I do not question;
you must have minded the noble manner and stateliness beyond nature,
which every thing there is executed with. What gentle touches, what
slight and yet majestic motions are made use of to express the most
boisterous passions! As the subject is always lofty, so no posture is
to be chosen but what is serious and significant, as well as comely
and agreeable; should the actions there be represented as they are
in common life, they would ruin the sublime, and at once rob you of
all your pleasure.
Ful. I never expected any thing natural at an opera; but as persons
of distinction resort thither, and every body comes dressed, it is
a sort of employment, and I seldom miss a night, because it is the
fashion to go: besides, the royal family, and the monarch himself,
generally honouring them with their presence, it is almost become a
duty to attend them, as much as it is to go to court. What diverts me
there is the company, the lights, the music, the scenes, and other
decorations: but as I understand but very few words of Italian, so
what is most admired in the recitativo is lost upon me, which makes
the acting part to me rather ridiculous than----
Hor. Ridiculous, Madam! For Heaven's sake----
Ful. I beg pardon, Sir, for the expression, I never laughed at an
opera in my life; but I confess, as to the entertainment itself,
that a good play is infinitely more diverting to me; and I prefer
any thing that informs my understanding beyond all the recreations
which either my eyes or my ears can be regaled with.
Public-domain text, read in full here on John Shaqi.
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