The Fable of the Bees; Or, Private Vices, Public BenefitsMandeville, Bernard
Philosophy
The Fable of the Bees; Or, Private Vices, Public Benefits
Mandeville, Bernard
Charity-schools -- Early works to 1800; Ethics -- Early works to 1800; Virtue -- Early works to 1800
The discourse we had yesterday, has made a great impression upon me;
you said several things that were very entertaining, and some which I
shall not easily forget: I do not remember I ever looked into myself
so much as I have done since last night after I left you.
Cleo. To do that faithfully, is a more difficult and a severer talk
than is commonly imagined. When, yesterday, I asked you where and
among what sort of people we were to look for those whom you would
allow to act from principles of virtue, you named a class, among
whom I have found very agreeable characters of men, that yet all have
their failings. If these could be left out, and the best were picked
and culled from the different good qualities that are to be seen in
several, the compound would make a very handsome picture.
Hor. To finish it well every way would be a great masterpiece.
Cleo. That I shall not attempt: but I do not think it would be very
difficult to make a little sketch of it, that yet should exceed nature,
and be a better pattern for imitation than any can be shown alive. I
have a mind to try; the very thought enlivens me. How charming is the
portrait of a complete gentleman, and how ravishing is the figure
which a person of great birth and fortune, to whom nature has been
no niggard, makes, when he understands the world, and is thoroughly
well-bred!
Hor. I think them so, I can assure you, whether you are in jest or
in earnest.
Cleo. How entirely well hid are his greatest imperfections! though
money is his idol, and he is covetous in his heart, yet his inward
avarice is forced to give way to his outward liberality, and an open
generosity shines through all his actions.
Hor. There lies your fault: it is this I cannot endure in you.
Cleo. What is the matter?
Hor. I know what you are about, you are going to give me the caricatura
of a gentleman, under pretence of drawing his portrait.
Cleo. You wrong me, I have no such thought.
Hor. But why is it impossible for human nature ever to be good? instead
of leaving out, you put in failings without the least grounds or
colour. When things have a handsome appearance every way, what reason
have you to suspect them still to be bad? How came you to know, and
which way have you discovered imperfections that are entirely well
hid; and why should you suppose a person to be covetous in his heart,
and that money is his idol, when you own yourself that he never shews
it, and that an open generosity shines through all his actions? This
is monstrous.
Public-domain text, read in full here on John Shaqi.
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