The Fables of Phædrus: Literally translated into English prose with notesPhaedrus
General
The Fables of Phædrus: Literally translated into English prose with notes
Phaedrus
Fables, Latin -- Translations into English
[Footnote NF.2: _If nature had_)--Ver. 1. This can hardly be
styled a Fable; it is merely an Epilogue or moral lesson.]
FABLE III.
MERCURY AND THE TWO WOMEN.
_Another Fable on the same subject._
Once on a time, two Women had given their guest, Mercury, a mean and
sordid entertainment; one of the women had a little son in the cradle,
while the profession of a Courtesan had its charms for the other. In
order, therefore that he might give a suitable return for their
services, when about to depart, and just crossing the threshold, he
said: “In me you behold a God; I will give you at once whatever each may
wish.” The Mother makes her request, and asks that she may immediately
see her Son graced with a beard; the Courtesan {requests} that whatever
she touches may follow her. Mercury flies away--the women return
in-doors: behold the infant, with a beard, is crying aloud. The
Courtesan happened to laugh heartily at this, on which the humours {of
the head} filled her nostrils, as is often the case. Intending therefore
to blow her nose, she seized it with her hand, and drew out its length
to the ground; and {thus}, while laughing at another, she became herself
a subject for laughter.[3]
[Footnote NF.3: _For laughter_)--Ver. 17. This story savours
more of the false wit of the middle ages than of the genius of
Phædrus.]
FABLE IV.
PROMETHEUS AND CUNNING.
_On Truth and Falsehood._
When once Prometheus, the framer of a new race, had formed Truth from
fine earth, that she might be able to dispense justice among mankind,
being suddenly summoned by the messenger of great Jove, he left {his}
workshop in charge of treacherous Cunning, whom he had lately received
in apprenticeship. The latter, inflamed by zeal, with clever hand formed
an image of similar appearance, corresponding stature, and like in every
limb, so far as the time permitted. When nearly the whole had now been
wondrously set up, he found he had no clay to make the feet. {His}
master came back, and Cunning, confused by fear at his quick return, sat
down in his own place. Prometheus, admiring so strong a resemblance,
wished the merit to appear to belong to his own skill, {and} therefore
placed the two images together in the furnace. When they were thoroughly
baked, and life had been breathed into them, hallowed Truth moved on
with modest gait; but her imperfect copy remained fixed on the spot.
Thence the spurious image, the result of the stealthy work, was called
Mendacity,[4] because they say, she has no feet,--an assertion with
which I readily agree.
Public-domain text, read in full here on John Shaqi.
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