THE FAIR
REWARDS
_NEW BORZOI NOVELS_
_SPRING, 1922_
WANDERERS
_Knut Hamsun_
MEN OF AFFAIRS
_Roland Pertwee_
THE FAIR REWARDS
_Thomas Beer_
I WALKED IN ARDEN
_Jack Crawford_
GUEST THE ONE-EYED
_Gunnar Gunnarsson_
THE GARDEN PARTY
_Katherine Mansfield_
THE LONGEST JOURNEY
_E. M. Forster_
THE SOUL OF A CHILD
_Edwin Björkman_
CYTHEREA
_Joseph Hergesheimer_
EXPLORERS OF THE DAWN
_Mazo de la Roche_
THE WHITE KAMI
_Edward Alden Jewell_
THE
FAIR REWARDS
THOMAS BEER
“_Tell arts they have no soundness
But vary by esteeming
Tell schools they want profoundness
And stand too much on seeming_”--
RALEGH
_“Eh, sirs,” says Koshchei, “I contemplate the spectacle
with appropriate emotions.”_
[Illustration]
NEW YORK
ALFRED·A·KNOPF
1922
COPYRIGHT, 1922, BY
ALFRED A. KNOPF, INC.
_Published, February, 1922_
_Set up and electrotyped by the Vail-Ballou Co., Binghamton, N.Y._
_Paper furnished by S. D. Warren & Co., Boston, Mass._
_Printed and bound by the Plimpton Press, Norwood, Mass._
MANUFACTURED IN THE UNITED STATES OF AMERICA
To
M. A. A. B.
CONTENTS
CHAPTER
I MANUFACTURE OF A PERSONAGE, 9
II HE PROGRESSES, 23
III FULL BLOOM, 47
IV PENALTIES, 78
V MARGOT, 104
VI GURDY, 135
VII “TODGERS INTRUDES,” 170
VIII COSMO RAND, 192
IX BUBBLE, 214
X THE IDOLATER, 250
XI THE WALLING, 272
I
Manufacture of a Personage
John Carlson began the rehearsals of “Nicoline” in early August of
1895. For a week he tried to correct the hot labours of the whole,
large company. He was nervous about this production. His digestion
interfered. His temper grew explosive. The leading woman was alarmed
for her gentility. The leading man disliked his part of a cheap rake.
Carlson abandoned the minor folk to his stage manager, Rothenstein,
and nursed these two clumsy celebrities toward a certain ease. But his
stomach suffered. He attended the opening night of “The Prisoner of
Zenda” at the Lyceum, fainted during the second act and was revived
with brandy in Mr. Frohman’s office. The brandy gave him fever; he
spent the six days remaining before “Nicoline” opened, in his bed. Yet
on a warm Monday night he dressed his gaunt body gorgeously, shaved
his yellow face, thrust an orchid into his coat and dined at Martin’s
with young Mr. Fitch who had adapted “Nicoline” from the French.
Carlson swore in Swedish when agony seized his stomach. Mr. Fitch,
sipping white Burgundy, observed that it must be pleasant to swear
incomprehensibly.
“Sure,” said Carlson, shivering, “but what was you sayin’?”
Public-domain text, read in full here on John Shaqi.
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