The Faith Doctor: A Story of New YorkEggleston, Edward
General
The Faith Doctor: A Story of New York
Eggleston, Edward
New York (N.Y.) -- Fiction
"You see," Bradley went on, "the publisher of a new magazine called the
'United States Monthly' has asked me to dinner. It is away over in
Brooklyn, and, besides, the real reason I can't go is that I haven't got
a dress-coat. Now what is the thing to do about regrets, cards, and so
on?"
Fresh from reading his new "Guide to Good Manners," Millard felt
competent to decide any question of Bristol-board, however weighty or
complicated. He delivered his opinion with great assurance in the very
words of the book.
"I believe in my soul," said Bradley, laughing, "that you prigged that
from the 'Guide to Good Manners as Recognized in the Very Best
Society.'"
Millard looked foolish, but answered good-naturedly, "Well, what if I
did? Have you read the book?"
Bradley rocked his long slender body backward and forward as though
about to fall into a spasm with suppressed merriment.
"There is only one good thing I can say for that book," he said,
recovering himself.
"What's that?" asked Millard, a little vexed with the unaccountable
mirth of his host.
"Why, that I got two hundred dollars for writing it."
"You wrote it?" exclaimed Millard, not concealing his opinion that
Bradley was not a suitable person to give lessons in politeness.
"You see I was offered two hundred for a book on manners. I needed the
money most consumedly. There was Sampson, who knew, or thought he knew,
all about the ways of the world, though, between you and me, Sampson
always did do a large business on a plaguy small capital. So I put
Sampson to press and got out of him whatever I could, and then I
rehashed a good deal in a disguised way from the old 'Bazar Book of
Decorum' and the still older Count D'Orsay, and some others. You have to
know how to do such things if you're going to make a living as a
literary man. The title is a sixpenny publisher's lie. In the day of
judgment, authors, or at least those of us doing general literary work,
will get off easy on the ground that poor devils scratching for their
dinners can not afford to be too high-toned, but publishers won't have
that excuse."
Millard made his way home that night with some sense of disappointment.
Being a fine gentleman was not so easy as it had seemed. The heights
grew more and more frosty and inaccessible as he approached them. Yet he
had really made a great advance by his talk with Bradley. He had cleared
the ground of rubbish. And though during the next week he bought two or
three of the books of decorum then in vogue, he had learned to depend
mainly on his own observations and good sense. He had also acquired a
beginning of that large stock of personal information which made him in
after years so remarkable. Natural bent is shown in what a man
assimilates. Not an item of all the personal traits and anecdotes of
writers and publishers brought out in Bradley's unreserved talk had
escaped him, and years afterward he could use Bradley's funny stories to
give piquancy to conversation.
Public-domain text, read in full here on John Shaqi.
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