The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
MR. FREEMAN: What John does in his spare time is nothing to do with me.
It’s not his spare time I’m bothered about ... it’s his working life.
MRS. FREEMAN: He _is_ engaged to Frankie ... suppose there should be
anything serious with this other girl.
MR. FREEMAN: What other girl?
MRS. FREEMAN: _Somebody_ writes those letters.
MR. FREEMAN: ... Um.... I shouldn’t worry ... he’s not quite a fool....
Leave it to me. I’ll give him this.
MRS. FREEMAN: He’s not happy.
MR. FREEMAN: If a man neglects his work as John’s doing, he can’t
expect to be happy.
MRS. FREEMAN: Has he told you he isn’t going to spend Christmas with us?
MR. FREEMAN: Where’s he going...?
MRS. FREEMAN: To stay with Mr. ... I don’t know his name ... his friend.
MR. FREEMAN: Funny-lookin’ feller ... always in the house. _I_ know.
That’s another thing; who _is_ this feller?... I don’t know.
MRS. FREEMAN (_taking her son’s part_): He’s always had the attic for
his own ... hasn’t he? ... with his own friends.
MR. FREEMAN: I know. I’ve never interfered. I’ve no wish to interfere
... when he was a baby in the nursery up there--or a schoolboy with his
friends, but now ... here’s this feller ... he called yesterday when
John was out--I met him on the stairs ... didn’t know him from Adam; we
grinned ... dam’ silly.... Hullo!
[_There has been a prolonged moaning wailing sound--like the cry of
some agonised ghost. MR. FREEMAN hurries to the window._
It’s Frankie ... in the new car; with her father. Hullo! How are you!
(_He waves cordially. The window being shut there it not the remotest
chance of his being heard._) Hullo, Frankie ... pretty girl she’s
getting. (_He comes away from the window._) ’Spose she’s come for John.
I shall speak to him to-night, when he comes in.
MRS. FREEMAN: I shouldn’t say too much about his friend upstairs.
MR. FREEMAN: Um?
MRS. FREEMAN: Well, we did make the arrangement he should be private
upstairs--as if it were his own flat.
MR. FREEMAN: I don’t suppose I’ve been up there for a year.
MRS. FREEMAN: Nor have I ... he might take a flat of his own. I
shouldn’t like that.
[_ROSIE, a picturesque little parlour-maid, shows in FRANKIE SEWELL.
She is a pretty girl of twenty-four or so, and is very good at
tennis and hockey._
MRS. FREEMAN: Well, Frankie dear.
FRANKIE: Good evening, Mrs. Freeman.
[_They kiss._
MR. FREEMAN: What have you done with your father?
FRANKIE: He couldn’t come in; he’s going to call back for me.
MR. FREEMAN: Your young man isn’t in.
FRANKIE: Isn’t he?
[_Again the cry of the agonised ghost._
FRANKIE: Your gate’s in awfully good voice to-night.
MR. FREEMAN (_who has gone to the window_): Wants oil.
FRANKIE (_at a bowl of chocolates on the table_): May I?
MRS. FREEMAN: Of course, dear.
FRANKIE: Thank you.
MR. FREEMAN (_back from the window; aside to his wife_): It’s John.
Take her into the drawing-room.
Public-domain text, read in full here on John Shaqi.
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