The fanatics : $b A comedy in three acts — John Shaqi
The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
MRS. FREEMAN: Let’s join Gwen, dear. It’s so much nicer in the
drawing-room. Bring the chocolates if you like.
FRANKIE: Oh no, thanks; I’ll take one more, though.
MR. FREEMAN: I’ll be with you in a minute.
MRS. FREEMAN (_ushering FRANKIE out_): Gwen’ll be so pleased. She’s
only reading.
[_MR. FREEMAN rings ... ROSIE appears._
MR. FREEMAN: Mr. John’s just come in. Tell him I want him in here.
ROSIE: Yessir.
[_She withdraws._
[_MR. FREEMAN waits._
[_To him enters his son JOHN; well-dressed in a lounge suit
evidently cut by a good West End tailor; well-built, and
nice-looking; with a pleasant-sounding voice._
MR. FREEMAN: Come in--I want to speak to you.
[_JOHN comes in and shuts the door, but MR. FREEMAN doesn’t speak
at once, so, after a moment, JOHN does. He speaks quietly._
JOHN: Whose car’s that outside?
MR. FREEMAN: The Sewells’.
JOHN (_with quick concern_): Is Frankie here?
MR. FREEMAN: Yes.
JOHN: Where?
MR. FREEMAN: Drawing-room.
JOHN (_evidently upset_): She said she wasn’t coming round to-night.
MR. FREEMAN: You ought to have let your mother know you weren’t coming
back to dinner.
JOHN (_puzzled_): But ... surely ... I thought you were all going out
to dinner with the Cleavers.
MR. FREEMAN: To-morrow night.
JOHN: I’ve made a mistake.
MR. FREEMAN: You have ... had your dinner?
JOHN: Yes.
MR. FREEMAN: Restaurant?
JOHN: Yes.
MR. FREEMAN: Some girl, I suppose?
JOHN: I was by myself.
MR. FREEMAN: Then why on earth didn’t you come home?
[_JOHN doesn’t answer; after a searching look at him his father
continues._
Of course, if you prefer your own company, that’s nothing to do with
me, but your life from ten o’clock in the morning till five in the
evening _does_ belong to me. (_In answer to a look from his son he
expands that._) It belongs to the firm. Now look here, young man, I
can put this in a nutshell. You’ve been engaged to Frankie some time,
on the understanding I make you a junior partner when you marry.
JOHN: Yes.
MR. FREEMAN: How much do you get now?
JOHN: You know.
MR. FREEMAN: Five hundred a year. A thousand when you marry; and a
yearly rise after that. Of course your life belongs to the firm--and
will do, more and more. It’s about time you realised that.
JOHN: I realise it all right.
MR. FREEMAN: Then I want to know why you left the office an hour before
lunch--and never came back after lunch.
JOHN: ... It’s difficult to explain.
MR. FREEMAN: I daresay it is; but it’s the sort of thing that’s got to
be explained.
JOHN: I don’t think you understand.
MR. FREEMAN: I daresay I shan’t--but I’ll have a dam’ good try. I’m not
quite a fool, though you think I am ... any other man employed in the
firm who did what you’ve done to-day without good reason would get the
sack. I want to know your reason. Exactly.
JOHN: It will sound very trivial.
MR. FREEMAN: That doesn’t matter ... I’m waiting.
JOHN: I’m trying to write.
MR. FREEMAN: What d’you mean--“write”?
Public-domain text, read in full here on John Shaqi.
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