The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
COLIN: Why not?
GWEN: Yes.
COLIN: Because ... because I won’t stand for it!
GWEN: You won’t stand for it?
COLIN: No. Why should I? Your head’s full of his stuff.
GWEN: It’s full of his stuff because I believe it’s true.
COLIN: Oh, damn it all, Gwen; what d’you believe’s true?
GWEN: I believe with all my soul to marry you now, straight off, would
be a wrong thing to do. (_She is passionately sincere._) Really!
Really! I don’t believe it would be _right_! If I did, it would only be
to save bother. I want to do what’s right. Oh, I can’t talk; I can’t
say what I mean; I feel it; it isn’t only myself ... it’s the others.
COLIN: The others?
GWEN: Yes; we’re supposed to; it isn’t easy to hold out; some girls
are; I want to be on their side; I want to keep hold of my part in the
future; if I give in right at the beginning, how can I ever take any
part, or interest ever again, without being ashamed ... if that’s a
“stunt”; if it’s all “rot” to you ... it’s no good; you’d better go!
COLIN: And you say you love me!
GWEN: Yes; I love you; make no mistake about that. I don’t know what I
shall do, if you go.... I love you so much, I don’t want our first love
to be spoiled by feeling I’m doing wrong.
COLIN: You’re obstinate.
GWEN: I can’t help it.... Oh, Colin, please, don’t you see ... if
_you’re_ certain, it’ll make no difference in the end.
COLIN: Oh, it’ll make a difference all right!
GWEN: What difference?
COLIN: It’s going to be very unpleasant for me.
GWEN: If I’m not more important than unpleasantness----
COLIN: Suppose I’m obstinate too; and just as conscientious; and I
don’t want it to be spoiled, and I think we _ought_ to get married.
GWEN: You don’t. You want to avoid unpleasantness.
COLIN: Thanks.
GWEN: It’s true.
COLIN: Suppose it’s a question of doing things my way, or saying
good-bye?
GWEN: Oh no!
COLIN: Yes.
GWEN: Colin! ... if I gave in, I shouldn’t be any _good_ to you;
something in me would die.
COLIN: I’ll risk that.
GWEN: I can’t give in.
COLIN: My way, or saying good-bye.
GWEN: Oh, Colin.
COLIN: ... Well?
GWEN: Colin!----
[_MR. FREEMAN enters. He has hurried and is in a temper anyhow,
which is not improved by finding “that feller” alone with his
daughter._
MR. FREEMAN: Oh!... Where’s John?
GWEN: He went out.
MR. FREEMAN: Where to?
GWEN: I don’t know.
MR. FREEMAN: He’s got no business to go out. I want to speak to him. I
told him I wanted to speak to him.
[_A whistle from the speaking-tube._
That’s probably him.
[_GWEN has gone to answer. She takes the receiver and speaks._
GWEN: Hullo!
MR. FREEMAN (_taking it from her_): Here, give it to me. (_He
listens._) ... Has he _“popped” what_? No. It’s me speaking. _Me._ I
don’t know what you’re talking about. Come down. At once. (_He replaces
the instrument._) ... What the devil did he mean?... Going off his
chump! That’s what’s the matter with him. Off their chumps! That’s
what’s the matter with the whole family.
Public-domain text, read in full here on John Shaqi.
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