The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
COLIN: Well--to be quite frank with you--I think all this talk about
the business being a waste of your life is rather stupid. The world’s
in a devil of a mess; we’re all living on a volcano; but, as far as one
can be sure of anything, your business is sure; you get a very good
screw; you get all your evenings to yourself; in a world where ninety
per cent of people are continually anxious about their livelihood, your
comfort and comparative wealth are assured. You’re a damned lucky man,
John, and you’ve got no right to go about grousing about yourself.
JOHN: Can I be quite frank answering that?
COLIN: Of course.
JOHN: There’s one big difference between us.
COLIN: Yes?
JOHN: It’s difficult to say.
COLIN: Don’t be a fool.
JOHN: You never went into the trenches.
[_This causes a sudden stoppage in the dialogue, momentary but the
severance is complete; it doesn’t go on in quite the same tone
afterwards._
COLIN: No. I agree to that difference--very humbly; but I don’t see
what difference that makes about the business.
JOHN: It makes the hell of a difference to _me_ ... it’s hateful to
talk about it ... but there it is.
COLIN (_gently_): I’m interested.
JOHN (_responding_): There were several of us, Colin, who used to
talk about the whole thing out there; I mean, why the whole thing had
happened, and what we were going to do about it when it was over ...
a good many of us to start with ... we got fewer; the lucky ones were
killed outright. Jack Bardsley got half his face blown away and _can’t_
talk now; Peter Glen’s blind; Chris--Chris was engaged to a most
attractive girl ... he was mad about her ... used to talk to her at
night ... I heard him once, when he thought I was asleep--he got a bit
of shrapnel in his stomach and thighs, and had to be cut away. He never
married. Little Westerby’s mad.... I’m the only one left.... Sometimes
I think I’ve got no right to be alive at all, Colin--just a fluke ...
there are millions of my age, skull and bone and rotting flesh just
under the earth over there....
[_COLIN has no answer ... the short silence is tense ... then he goes
on more calmly._
If the war hadn’t happened I should have married Frankie; and gone into
the business, and settled down to it ... but I _can’t_ just go on using
my life up aimlessly--or what seems to me aimlessly, as if nothing had
happened ... to hear them talk--father and his lot, you’d think nothing
had happened--_my God_!
It’s hard to talk about it; it’s hard to feel a thing very deeply, and
talk about it, and not sound priggish; but I must talk to somebody;
you’re the only one.
COLIN: Thank you.
JOHN: You’re an idealist, really. You wrote “A Pair of Pyjamas,” and
you’ve made the devil of a lot of money, but you know the real worth
of things; that’s why you get angry with me when I still care about
ideals; it makes you uncomfortable; and you hate being uncomfortable,
because you’ve made too much money.
Public-domain text, read in full here on John Shaqi.
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