The Fatal Falsehood: A Tragedy. In Five ActsMore, Hannah
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The Fatal Falsehood: A Tragedy. In Five Acts
More, Hannah
English drama (Tragedy); Verse Drama, English -- Early Works to 1800
_Em._ I might retort the charge, my lord Orlando!
I _might_ enquire how the lov'd friend of Rivers,
Whom he has held deep-rooted in his heart,
Beyond a brother's dearness, sav'd his life,
And cherish'd it, when sav'd, beyond his own;----
I _might_ enquire, why, when this Rivers comes,
After long tedious months of expectation,
Alive, victorious, and as firm in friendship
As fondness could have wish'd or fancy feign'd;
I _might_ enquire why thus Orlando shuns him----
Why thus he courts this melancholy gloom,
As if he were at variance with delight,
And scorn'd to mingle in the general joy?
_Or._ Oh, my fair monitress! I have deserv'd
Your gentle censure. Henceforth I'll be gay.
_Em._ Julia complains, too, of you.
_Or._ Ah! does Julia?
If Julia chides me, I have err'd indeed;
For harshness is a stranger to her nature.
But why does she complain? O tell me wherefore?
That I may soon repair the unwilling crime,
And prove my heart at least ne'er meant to wrong her.
_Em._ Why so alarm'd?
_Or._ Alarm'd!
_Em._ Indeed you seem'd so.
_Or._ Sure you mistake. Alarm'd! oh, no, I was not;
There was no cause--I could not be alarm'd
Upon so slight a ground. Something you said,
But what I know not, of your friend.
_Em._ Of Julia?
_Or._ That Julia was displeas'd----was it not so?
'Twas that, or something like it.
_Em._ She complains
That you avoid her.
_Or._ How! that I avoid her?
Did Julia say so? ah! you have forgot--
It could not be.
_Em._ Why are you terrified?
_Or._ No,
Not terrified--I am not--but were those
Her very words? you might mistake her meaning;
Did Julia say Orlando shunn'd her presence?
Oh! did she, could she say so?
_Em._ If she did,
Why this disorder? there's no cause.
_Or._ No cause?
O there's a cause of dearer worth than empire!
Quick let me fly, and find the fair upbraider;
Tell her she wrongs me, tell her I would die
Rather than meet her anger. [EMMELINA _faints_.
Ah, she faints!
What have I said? curse my imprudent tongue!
Look up, sweet innocence! my Emmelina----
My gentle friend, awake! look up, fair creature!
'Tis your Orlando calls.
_Em._ Orlando's voice!
Methought he talk'd of love--nay, do not mock me;
My heart is but a weak, a very weak one!
I am not well--perhaps I've been to blame.
Spare my distress: the error has been mine.
[_Exit_ EMMELINA.
Public-domain text, read in full here on John Shaqi.
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