The Fatal Falsehood: A Tragedy. In Five ActsMore, Hannah
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The Fatal Falsehood: A Tragedy. In Five Acts
More, Hannah
English drama (Tragedy); Verse Drama, English -- Early Works to 1800
_Or._ So then, all's over; I've betray'd my secret,
And stuck a poison'd dagger in her heart,
Her innocent heart. Why, what a wretch am I!
Ruin approaches;--shall I tamely meet it,
And dally with destruction till it blast me?
No, I will fly thee, Julia, fly for ever.
Ah, fly! what then becomes of Emmelina?
Shall I abandon _her_? it must be so;
Better escape with this poor wreck of honour,
Than hazard all by staying--Rivers here?
_Enter_ RIVERS.
_Riv._ The same. My other self! My own Orlando!
I came to seek thee; 'twas in thy kind bosom
My suffering soul repos'd its secret cares,
When doubts and difficulties stood before me;
And now, now, when my prosperous fortune shines,
And gilds the smiling hour with her bright beams,
Shall I become a niggard of my bliss,
Defraud thee of thy portion of my joys,
And rob thee of thy well-earn'd claim to share them?
_Or._ That I have ever lov'd thee, witness Heaven!
That I have thought thy friendship the best blessing
That mark'd the fortune of my happier days,
I here attest the sovereign Judge of hearts!
Then think, O think, what anguish I endure,
When I declare, in bitterness of spirit,
That we must part----
_Riv._ What does Orlando mean?
_Or._ That I must leave thee, Rivers; must renounce
Thy lov'd society.
_Riv._ Thou hast been injur'd;
Thy merit has been slighted; sure my father,
Who knew how dear I held thee, would not wrong thee.
_Or._ He is all goodness; no--there is a cause----
Seek not to know it.
_Riv._ Now, by holy friendship!
I swear thou shalt not leave me; what! just now,
When I have safely pass'd so many perils,
Escap'd so many deaths, return'd once more
To the kind arms of long-desiring friendship;
Just now, when I expected such a welcome,
As happy souls in Paradise bestow
Upon a new inhabitant, who comes
To taste their blessedness, you coldly tell me
You will depart; it must not be, Orlando.
_Or._ It must, it must.
_Riv._ Ah, must! then tell me wherefore?
_Or._ I would not dim thy dawn of happiness,
Nor shade the brighter beams of thy good fortune,
With the dark sullen cloud that hangs o'er mine.
_Riv._ Is this the heart of him I call'd my friend,
Full of the graceful weakness of affection?
How have I known it bend at my request!
How lose the power of obstinate resistance,
Because his friend entreated! This Orlando!
How is he chang'd!
_Or._ Alas, how chang'd indeed!
How dead to every relish of delight!
How chang'd in all but in his love for thee!
Yet think not that my nature is grown harder,
That I have lost that ductile, yielding heart;
Rivers, I have not--oh! 'tis still too soft;
E'en now it melts, it bleeds in tenderness--
Farewell!--I dare not trust myself--farewell!
_Riv._ Then thou resolv'st to go?
_Or._ This very day.
Public-domain text, read in full here on John Shaqi.
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