Critics -- Fiction; Interpersonal relations -- Fiction; Secrecy -- Fiction; Short stories, American; Women novelists -- Fiction
IT was impossible not to be moved with the strongest sympathy for her,
and on my return to England I showed her every kindness in my power. Her
mother’s death had made her means sufficient, and she had gone to live in
a more convenient quarter. But her loss had been great and her
visitation cruel; it never would have occurred to me moreover to suppose
she could come to feel the possession of a technical tip, of a piece of
literary experience, a counterpoise to her grief. Strange to say, none
the less, I couldn’t help believing after I had seen her a few times that
I caught a glimpse of some such oddity. I hasten to add that there had
been other things I couldn’t help believing, or at least imagining; and
as I never felt I was really clear about these, so, as to the point I
here touch on, I give her memory the benefit of the doubt. Stricken and
solitary, highly accomplished and now, in her deep mourning, her maturer
grace and her uncomplaining sorrow, incontestably handsome, she presented
herself as leading a life of singular dignity and beauty. I had at first
found a way to persuade myself that I should soon get the better of the
reserve formulated, the week after the catastrophe in her reply to an
appeal as to which I was not unconscious that it might strike her as
mistimed. Certainly that reserve was something of a shock to
me—certainly it puzzled me the more I thought of it and even though I
tried to explain it (with moments of success) by an imputation of exalted
sentiments, of superstitious scruples, of a refinement of loyalty.
Certainly it added at the same time hugely to the price of Vereker’s
secret, precious as this mystery already appeared. I may as well confess
abjectly that Mrs. Corvick’s unexpected attitude was the final tap on the
nail that was to fix fast my luckless idea, convert it into the obsession
of which I’m for ever conscious.
Public-domain text, read in full here on John Shaqi.
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