“Beaudenord is the first pigeon that I will bring on the scene. And, in
the first place, his name was Godefroid de Beaudenord; neither Finot,
nor Blondet, nor Couture, nor I am likely to undervalue such an
advantage as that! After a ball, when a score of pretty women stand
behooded waiting for their carriages, with their husbands and adorers at
their sides, Beaudenord could hear his people called without a pang of
mortification. In the second place, he rejoiced in the full complement
of limbs; he was whole and sound, had no mote in his eyes, no false
hair, no artificial calves; he was neither knock-kneed nor bandy-legged,
his dorsal column was straight, his waist slender, his hands white and
shapely. His hair was black; he was of a complexion neither too pink,
like a grocer’s assistant, nor yet too brown, like a Calabrese. Finally,
and this is an essential point, Beaudenord was not too handsome, like
some of our friends that look rather too much of professional beauties
to be anything else; but no more of that; we have said it, it is
shocking! Well, he was a crack shot, and sat a horse to admiration; he
had fought a duel for a trifle, and had not killed his man.
“If you wish to know in what pure, complete, and unadulterated happiness
consists in this Nineteenth Century in Paris--the happiness, that is to
say, of a young man of twenty-six--do you realize that you must enter
into the infinitely small details of existence? Beaudenord’s bootmaker
had precisely hit off his style of foot; he was well shod; his tailor
loved to clothe him. Godefroid neither rolled his r’s, nor lapsed into
Normanisms nor Gascon; he spoke pure and correct French, and tied his
cravat correctly (like Finot). He had neither father nor mother--such
luck had he!--and his guardian was the Marquis d’Aiglemont, his cousin
by marriage. He could go among city people as he chose, and the Faubourg
Saint-Germain could make no objection; for, fortunately, a young
bachelor is allowed to make his own pleasure his sole rule of life, he
is at liberty to betake himself wherever amusement is to be found, and
to shun the gloomy places where cares flourish and multiply. Finally, he
had been vaccinated (you know what I mean, Blondet).
“And yet, in spite of all these virtues,” continued Bixiou, “he
might very well have been a very unhappy young man. Eh! eh! that word
happiness, unhappily, seems to us to mean something absolute, a delusion
which sets so many wiseacres inquiring what happiness is. A very clever
woman said that ‘Happiness was where you chose to put it.’”
“She formulated a dismal truth,” said Blondet.
“And a moral,” added Finot.
“Double distilled,” said Blondet. “Happiness, like Good, like Evil, is
relative. Wherefore La Fontaine used to hope that in the course of time
the damned would feel as much at home in hell as a fish in water.”
“La Fontaine’s sayings are known in Philistia!” put in Bixiou.
Public-domain text, read in full here on John Shaqi.
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