“Happiness at six-and-twenty in Paris is not the happiness of six-and-twenty at--say Blois,” continued Blondet, taking no notice of the interruption. “And those that proceed from this text to rail at the instability of opinion are either knaves or fools for their pains. Modern medicine, which passed (it is its fairest title to glory) from a hypothetical to a positive science, through the influence of the great analytical school of Paris, has proved beyond a doubt that a man is periodically renewed throughout----” “New haft, new blade, like Jeannot’s knife, and yet you think that he is still the same man,” broke in Bixiou. “So there are several lozenges in the harlequin’s coat that we call happiness; and--well, there was neither hole nor stain in this Godefroid’s costume. A young man of six-and-twenty, who would be happy in love, who would be loved, that is to say, not for his blossoming youth, nor for his wit, nor for his figure, but spontaneously, and not even merely in return for his own love; a young man, I say, who has found love in the abstract, to quote Royer-Collard, might yet very possibly find never a farthing in the purse which She, loving and beloved, embroidered for him; he might owe rent to his landlord; he might be unable to pay the bootmaker before mentioned; his very tailor, like France herself, might at last show signs of disaffection. In short, he might have love and yet be poor. And poverty spoils a young man’s happiness, unless he holds our transcendental views of the fusion of interests. I know nothing more wearing than happiness within combined with adversity without. It is as if you had one leg freezing in the draught from the door, and the other half-roasted by a brazier--as I have at this moment. I hope to be understood. Comes there an echo from thy waistcoat-pocket, Blondet? Between ourselves, let the heart alone, it spoils the intellect. “Let us resume. Godefroid de Beaudenord was respected by his tradespeople, for they were paid with tolerable regularity. The witty woman before quoted--I cannot give her name, for she is still living, thanks to her want of heart----” “Who is this?”