'The French paraphrase probably, of an Anglo-Norman _chanson de geste_, composed late in the 13th century, traces of poetic diction being legible in the prose. As interesting, and almost as natural, as a modern novel; the historical characters forcibly sketched in'. =GAMELYN,= Tale of. _Ed._ W. W. Skeat, 1893. =GARCILASCO DE LA VEGA.= _b._ 1503, _d._ 1536. =Spanish poet.= WORKS OF G. DE LA V., SURNAMED THE PRINCE OF CASTILIAN POETS. _Tr._ with a critical and historical Essay on Spanish Poetry and a life of the Author by J. H. Wiffen, 1823. ISABEL ... WITH OTHER POEMS. _Tr._ [by R. Walpole]. 1805. Acquired a wide and durable reputation by his pastoral and lyrical poems. Reformed, with Boscan, Spanish poetry by introducing the Italian measure, which forms an epoch in the literary history of Spain. G. has been styled the 'Spanish Petrarch'. =GARCILASCO DE LA VEGA.= _Surnamed_ 'The Inca'. _b._ 1530, _d._ 1568. =Spanish historian.= He is esteemed for his fidelity and accuracy. ROYAL COMMENTARIES OF PERU, in two Parts.... Rendered out of Spanish into English, by Sir P. Rycaut. Lond. 1688. (Commentarios Reales que tratan del Origen de los Incas. (1609).) OBSERVATIONS OF THINGS MOST REMARKABLE, collected out of the first part of the Commentaries Royall.... The Supplement of the History of the Incas, briefely collected out of the Author's second part. _Tr._ 1625. =GAUTIER, THÉOPHILE.= _b._ 1811, _d._ 1872. =French poet, critic, and novelist.= CAPTAIN FRACASSE. _Tr._ 1888. MDLLE. DE MAUPIN. _Tr._ 1887. ROMANCE OF A MUMMY. 1886. =GELLIUS, AULUS.= _b._ 117, _d._ 180. =Latin grammarian and critic.= THE ATTIC NIGHTS. _Tr._ Rev. W. Beloe. 3 v. 1795. =GENERIDES.= _Cir._ 1440. _Ed._ F. J. Furnival, Roxburghe Club, 1865. Ed. A. Wright, E.E.T.S., lv., lxx. 1873. =GEOFFREY OF MONMOUTH.= _b._ 1100, _d._ 1154. =British historian.= THE BRITISH HISTORY. _Tr._ With a large commentary by Aaron Thomson, 1718. Historia Regum Brittaniæ, or Historia Britonum, based, as Geoffrey tells us, upon a very old book lent him by Archdeacon Walter (Galenius) of Oxford, probably a volume of Breton Legends. Geoffrey also drew from the older history of Nennius, but there still remains a large portion of his work which has not been traced beyond his own pen.