The Fleet: Its Rivers, Prison, and MarriagesAshton, John
History
The Fleet: Its Rivers, Prison, and Marriages
Ashton, John
Fleet Prison (London, England); Fleet, River (England)
Many historical names are here preserved--amongst whom are Pasco de
Paoli, the famous Corsican; Walker, whose dictionary is still a text
book; the Chevalier d'Eon, respecting whose sex there was once such a
controversy; Count O'Rourke, famous in the world of fashion in 1785;
Mrs. Godwin--better known, perhaps, as Mary Woolstencraft--who also
was married here; William Woollett, the eminent landscape engraver,
a branch of art in which he may be said to have been the father;
Samuel Cooper, whose miniatures cannot be surpassed; Scheemaker the
younger, a sculptor of no small note. Nor in this _campo santo_ was
Music unrepresented, for there, amongst others, lie the bodies of
Mazzinghi, who brought the violin into fashion here in 1740; and Beard,
a celebrated singer in 1753. The river flows hence to Battle Bridge, or
King's Cross, as it is now termed, forming in its way a sort of pond
called "Pancras Wash," and running through a low-lying district called
"The Brill."[17] This peculiarly unsavoury neighbourhood has now been
cleared away, in order to afford siding room, &c., for the Midland
Railway.
But Dr. Stukeley, who certainly had Roman Camps on the brain,
discovered one in the Brill. He planned it out beautifully. Here were
the Equites posted, there the Hastati, and there were the Auxiliarii.
He made the Fleet do duty for a moat which nearly surrounded Cæsar's
Prætorium, and he placed a Forum close by St. Pancras' Church, to the
northward of which he assigned a Prætorium to Prince Mandubrace. Is it
not true? for is it not all written in his "Itinerary"? and does he not
devote the first seventeen pages of the second volume of that work,
entirely to the Brill, assuring us of the great pleasure he received in
striding over the ground--following, in imagination, the footsteps of
the Roman Camp Master, who _paced_ out the dimensions of the Camp?
[Footnote 16: See pages 28, 29, 30, 31, &c.]
[Footnote 17: See previous page.]
[Illustration]
[Illustration]
CHAPTER IV.
That it was _countrified_ about this part of London, is shown by the
accompanying Copy of an engraving, by J. T. Smith, of a view "near
Battle Bridge."[18]
Public-domain text, read in full here on John Shaqi.
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