[Footnote 35: These papers appeared in the _Illustrated Family Journal_.] [Footnote 36: In Cromwell's "History of Clerkenwell," p. 322, we read, "In memory of its supposed proprietor, the owner of some small tenements near the north end of the gardens styled them 'Nell Gwynn's Buildings;' but the inscription was erased before 1803."] [Illustration] CHAPTER VIII. The gardens were pretty, after the manner of the times; we should not, perhaps, particularly admire the formally cut lines and hedges, nor the fountain in which a Cupid is hugging a swan, nor the rustic statuary of the haymakers. Still it was a little walk out of London, where fresh air could be breathed, and a good view obtained of the northern hills of Hampstead and Highgate, with the interlying pastoral country, sparsely dotted with farmhouses and cottages. The Fleet, here, had not been polluted into a sewer as it was further on, and there were all the elements of spending a pleasant, happy day, in good air, amid rural scenes. [Illustration: A VIEW TAKEN FROM THE CENTER BRIDGE IN THE GARDENS OF BAGNIGGE WELLS.] [Illustration: WAITER FROM THE BREAD AND BUTTER MANUFACTORY; OR, THE HUMOURS OF BAGNIGGE WELLS.] [Illustration: THE BREAD AND BUTTER MANUFACTORY; OR, THE HUMOURS OF BAGNIGGE WELLS.] The place, however, rapidly became a disreputable _rendezvous_, and we get an excellent glimpse of the costumes of _circa_ 1780 in the two following engravings taken from mezzotints published by Carington Bowles; although not dated, they are of that period, showing the Macaronis and Belles of that time. The first is called "The BREAD and BUTTER MANUFACTORY,[37] or the Humours of BAGNIGGE WELLS," and the second "A Bagnigge Wells Scene, or no resisting temptation," which gives a charming representation of the ultra fashion of dress then worn. [Illustration: A BAGNIGGE WELLS SCENE; OR, NO RESISTING TEMPTATION. (_Published for Carington Bowles._)] Yet another glance at the manners of the time is afforded by the boy waiter, who hurries along with his tray of tea-things and _kettle of hot water_.[38] [Illustration: THE BAGNIGGE ORGANIST.] And there was good music there, too--an organ in the long room, on which Charles Griffith performed, as may be seen in the accompanying illustration. The name of Davis on the music books, is that of the then proprietor, and the lines underneath are parodied from Dryden's "Song for St. Cecilia's day, 1687." "What passion cannot music raise and quell! When Jubal struck the corded shell, His listening brethren stood around, And, wondering, on their faces fell."