It went on with varying fortunes, and under various proprietors. First of all Mr. Hughes, then, in 1792, Davis had it; in 1813 it was in the hands of one Salter; in 1818, a man named Thorogood took it, but let it to one Monkhouse, who failed, and it reverted to Thorogood. Then came as tenant, a Mr. Chapman, who was bankrupt in 1833, and, in 1834, Richard Chapman was proprietor. I fancy he was the last, as public house, and gardens, combined. Mr. William Muggins, before quoted, laments its decadence thus: "Besides the whitewashed walls, and hoctagon shell grotto, there war the tea garden, with its honey suckle and sweet briar harbours, where they used to drink tea hout of werry small cups, and heat the far famed little hot loaves and butter; then there war the dancing plot, and the gold and silver fish ponds, and the bowling green, and skittle alley, and fire work ground hall so romantic and rural, standing in the middle of a lot of fields, and shaded around with trees. Now it's a werry different concarn, for it's surrounded with buildings--the gardens is cut hoff to nuffin, and the ouse looks tumble down and miserable." That was in 1840. It was about this time that a song appeared in "The Little Melodist," 1839--dilating on the delights of the neighbourhood of Islington, and the first verse ran thus: "Will you go to Bagnigge Wells, Bonnet builder, O! Where the Fleet ditch fragrant smells, Bonnet builder, O! Where the fishes used to swim, So nice and sleek and trim, But the pond's now covered in, Bonnet builder, O! _Punch_, too, when it was young, and had warm blood coursing through its veins, visited Bagnigge Wells, and recorded the visit in its pages (Sept. 7, 1843). After a description of the walk thither, it says, "We last visited Bagnigge Wells about the beginning of the present week, and, like many travellers, at first passed close to it without seeing it. Upon returning, however, our eye was first arrested by an ancient door in the wall over which was inscribed the following:--[39] "This inscription, of which the above is a _fac simile_ was surmounted by a noseless head carved in stone; and, underneath, was a cartoon drawn in chalk upon the door, evidently of a later date, and bearing a resemblance to some of the same class in Gell's 'Pompeii.' Underneath was written in letters of an irregular alphabet, 'CHUCKY'--the entire drawing being, without doubt, some local pasquinade.