The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
[Footnote 14: The Amalricans, as the followers of Amaury de Bene were
termed, were not only condemned by the Lateran Council of 1215, but
sharply persecuted; and we know nothing of the doctrines of Amaury,
David, and the other northern Averroists or Pantheists, except from
later and hostile notices.]
However this may be, the claim, modest and even meagre as it may seem
to some, which has been here once more put forward for this
Scholasticism--the claim of a far-reaching educative influence in mere
language, in mere system of arrangement and expression, will remain
valid. If, at the outset of the career of modern languages, men had
thought with the looseness of modern thought, had indulged in the
haphazard slovenliness of modern logic, had popularised theology and
vulgarised rhetoric, as we have seen both popularised and vulgarised
since, we should indeed have been in evil case. It used to be thought
clever to moralise and to felicitate mankind over the rejection of the
stays, the fetters, the prison in which its thought was mediaevally
kept. The justice or the injustice, the taste or the vulgarity, of
these moralisings, of these felicitations, may not concern us here.
But in expression, as distinguished from thought, the value of the
discipline to which these youthful languages were subjected is not
likely now to be denied by any scholar who has paid attention to the
subject. It would have been perhaps a pity if thought had not gone
through other phases; it would certainly have been a pity if the
tongues had all been subjected to the fullest influence of Latin
constraint. But that the more lawless of them benefited by that
constraint there can be no doubt whatever. The influence of form which
the best Latin hymns of the Middle Ages exercised in poetry, the
influence in vocabulary and in logical arrangement which Scholasticism
exercised in prose, are beyond dispute: and even those who will not
pardon literature, whatever its historical and educating importance
be, for being something less than masterly in itself, will find it
difficult to maintain the exclusion of the _Cur Deus Homo_, and
impossible to refuse admission to the _Dies Irae_.
CHAPTER II.
CHANSONS DE GESTE.[15]
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