The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II) — John Shaqi
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
[Footnote 15: I prefer, as more logical, the plural form _chansons de
gestes_, and have so written it in my _Short History of French
Literature_ (Oxford, 4th ed., 1892), to which I may not improperly
refer the reader on the general subject. But of late years the fashion
of dropping the _s_ has prevailed, and, therefore, in a book meant for
general reading, I follow it here. Those who prefer native authorities
will find a recent and excellent one on the whole subject of French
literature in M. Lanson, _Histoire de la Litterature Francaise_,
Paris, 1895. For the mediaeval period generally M. Gaston Paris, _La
Litterature Francaise au Moyen Age_ (Paris, 1888), speaks with
unapproached competence; and, still narrowing the range, the subject
of the present chapter has been dealt with by M. Leon Gautier, _Les
Epopees Francaises_ (Paris, 4 vols., 1878-92), in a manner equally
learned and loving. M. Gautier has also been intrusted with the
section on the _Chansons_ in the new and splendidly illustrated
collection of monographs (Paris: Colin) which M. Petit de Julleville
is editing under the title _Histoire de la Langue et de la Litterature
Francaise_. Mr Paget Toynbee's _Specimens of Old French_ (Oxford,
1892) will illustrate this and the following chapters.]
EUROPEAN LITERATURE IN 1100. LATE DISCOVERY OF THE
"CHANSONS." THEIR AGE AND HISTORY. THEIR DISTINGUISHING
CHARACTER. MISTAKES ABOUT THEM. THEIR ISOLATION AND ORIGIN.
THEIR METRICAL FORM. THEIR SCHEME OF MATTER. THE CHARACTER
OF CHARLEMAGNE. OTHER CHARACTERS AND CHARACTERISTICS.
REALIST QUALITY. VOLUME AND AGE OF THE "CHANSONS." TWELFTH
CENTURY. THIRTEENTH CENTURY. FOURTEENTH, AND LATER.
"CHANSONS" IN PRINT. LANGUAGE: "OC" AND "OIL." ITALIAN.
DIFFUSION OF THE "CHANSONS." THEIR AUTHORSHIP AND
PUBLICATION. THEIR PERFORMANCE. HEARING, NOT READING, THE
OBJECT. EFFECT ON PROSODY. THE "JONGLEURS." "JONGLERESSES,"
ETC. SINGULARITY OF THE "CHANSONS." THEIR CHARM. PECULIARITY
OF THE "GESTE" SYSTEM. INSTANCES. SUMMARY OF THE "GESTE" OF
WILLIAM OF ORANGE. AND FIRST OF THE "COURONNEMENT LOYS."
COMMENTS ON THE "COURONNEMENT." WILLIAM OF ORANGE. THE
EARLIER POEMS OF THE CYCLE. THE "CHARROI DE NIMES." THE
"PRISE D'ORANGE." THE STORY OF VIVIEN. "ALISCANS." THE END
OF THE STORY. RENOUART. SOME OTHER "CHANSONS." FINAL REMARKS
ON THEM.
[Sidenote: _European literature in 1100._]
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