If these delights can move any one, they may be found almost universally distributed about the _chansons_. Of the minor groups the most interesting and considerable are the crusading cycle, late as it is in part, and that of the Lorrainers, which is, in the main, very early. Of the former the _Chansons d'Antioche_ and _de Jerusalem_ are almost historical, and are pretty certainly based on the account of an actual partaker. _Antioche_ in particular has few superiors in the whole hundred and more poems of the kind. _Helias_ ties this historic matter on to legend proper by introducing the story of the Knight of the Swan; while _Les Chetifs_ (_The Captives_) combines history and legend very interestingly, starting as it does with a probably historical capture of certain Christians, who are then plunged in dreamland of romance for the rest of it. The concluding poems of this cycle, _Baudouin de Sebourc_ and the _Bastart de Bouillon_, have been already more than once mentioned. They show, as has been said, the latest form of the _chanson_, and are almost pure fiction, though they have a sort of framework or outline in the wars in Northern Arabia, at and round the city of Jof, whose crusading towers still, according to travellers, look down on the _hadj_ route through the desert. _Garin le Loherain_, on the other hand, and its successors, are pure early feudal fighting, as is also the early, excellent, and very characteristic _Raoul de Cambrai_. These are instances, and no doubt not the only ones, of what may be called district or provincial _gestes_, applying the principles of the _chansons_ generally to local quarrels and fortunes.